THE COMPLEX - Directors 1st Pass 12.12.18

1 EXT. LONDON CITYSCAPE - DAY - ESTABLISHING A gorgeous day in London. FLASHES of messy, wild, alive Trafalgar Square. Tower Bridge. The London Eye. Waterloo Station. Borough Market. A city so alive, so free, and yet -- 2 EXT. LONDON EVENT SPACE - DAY - ESTABLISHING A high-end, gorgeous event space built for fundraisers -- Host a cocktail party, raise 20 million pounds before that second drink. AMY TENNANT (PRELAP) Our world terrifying right now. We push into -- 3 INT. LONDON EVENT SPACE - DAY Today, it’s filled with some of the UK’s greatest scientific MINDS and some very deep-pocketed INVESTORS. All listening to DR. AMY TENNANT (34, American). AMY TENNANT The world is exploding with wars and pain, everywhere. Even places like Kindar, meant to be the epitome of peace - a new country rebuilt from the ruins of war. An uncomfortable murmur runs through the CROWD. A VOICE seems to RISE ABOVE, but we can't quite make it out. AMY TENNANT (CONT’D) And look how that turned out. VOICE Excuse me -- excuse me! A PROTESTOR (35, handsome, in a suit) stands in the middle of the AUDIENCE -- Does Amy [[engage the protestor?->Amy engages protestor - Original Script ]] Or does she [[ignore the protestor?->Amy ignores the protestor - Scene 100 B]]

4 EXT. VAUXHALL - DAY Vauxhall. A KINDARIAN WOMAN STAGGERS across the STREET. 35, in all black, a STRANGE LOGO on her shirt -- we’ll meet her as CLARE LEE. Through TRAFFIC, she screams in AGONY. We DON’T SEE HER FACE, but OTHERS are starting to notice her. [[Back to...->Event Space Continuing - Original Script]]

5 INT. LONDON EVENT SPACE - DAY On the SCREEN BEHIND AMY - A FLASH of the MAP of KINDAR in SOUTHEAST ASIA near present-day North Korea & China. Amy continues her presentation brilliantly, her audience eating from the palm of her hand -- AMY TENNANT -We’re just over six years away * from Alexandre Gaspard’s team setting foot on Mars, which feels * like Jules Verne by way of Gene * Roddenberry. On the SCREEN BEHIND AMY: IMAGES of ALEXANDRE GASPARD and his TEAM, their MARS LOGO stamped on every picture. The best of what humanity and science offers. AMY TENNANT (CONT’D) We’re on to be a two-planet species, which feels like Jules Verne by way of Gene Roddenberry. There’s still good out there in the universe. It’s why I came to work at the Complex six years ago. Though, now that I think of it, if one of you could get moving on transporter tech, we’d all appreciate it -- traffic in London being what it is. A tiff of LAUGHTER runs through the AUDIENCE. [[Vauxhall-> Clare and the Car - Original Script]]

6 EXT. VAUXHALL - DAY - BACK TO SCENE One more step -- A SCREAM -- and CLARE is nearly HIT by a CAR. She JUMPS BACK and it SLAMS to a HALT centimetres away. CAR VOICE Please mind your step. One of the many DRIVERLESS CARS in London. The future is indeed now, and for the moment, it has saved Clare’s life. [[Back to...->Event Space 3 - Original Script]]

7 INT. LONDON EVENT SPACE - DAY - BACK TO SCENE AMY TENNANT There’s no way to pack a hospital into a ten-tonne Mars lander. So how do we get around that? Amy CLICKS a VIDEO PRESENTATION. The SCREEN behind her LIGHTS UP with IMAGES: TINY MACHINES, CELLULAR ORGANELLES, MARS, a HEALED SCAR, a GROUP OF WHITE MICE. The future of MEDICAL TECH. Amy holds up what appears to be an EMPTY TEST TUBE -- AMY TENNANT (CONT’D) Nanocells. [[Vauxhall - 4 - Original Script]]

8 EXT. VAUXHALL - DAY - BACK TO SCENE We still haven’t seen CLARE’S FACE, but others’ reactions send a cold sliver of fear into our hearts. Something MOVES under her CLOTHING. Clare’s military training is taking over. She’s a SOLDIER unwilling to give up her last mission: Reach MI-6 at all costs. Clare Lee is a SUICIDE BOMBER, steps from the heart of British Foreign Intelligence. She [[PUSHES ON->Event Space 4 - Original Script]].

9 INT. LONDON EVENT SPACE - DAY - BACK TO SCENE In Amy’s TEST TUBE - we finally see a GLIMPSE of what looks like a TINY GRAIN OF BLACK RICE inside -- a BIOCAPSULE. SCIENTISTS and INVESTORS react, an electric thrill. Amy pulls a pair of TWEEZERS from her TROUSERS POCKET. She opens the TEST TUBE, uses the tweezers to pull the biocapsule out. She holds it up to the LIGHT. AMY TENNANT Nanocells are a breakthrough blending stem cells with nanotech. (and then) These biocapsules will be filled with DNA-specific nanocells and pre-implanted in our Mars team. On the SCREEN BEHIND HER: VIDEO of a BIOCAPSULE being injected beneath someone’s SKIN, quickly and easily. AMY TENNANT (CONT’D) This biocapsule’s empty, obviously. No loose nanocells in the wild yet. Amy sets the TEST TUBE on her PODIUM. AMY TENNANT (CONT’D) So when our Mars team breaks a bone or gets exposed to a radiation burst, these biocapsules will sense it and release my targeted nanocells to the blood instantly. Tiny personalised hospitals. THE VIDEO behind Amy changes again. IMAGES: An ANIMATION of the BIOCAPSULES RELEASING NANOCELLS into a BLOODSTREAM. AMY TENNANT (CONT’D) The biocapsules themselves act as a safeguard, a regulatory off-switch. You’re going to want to stop that bone from growing once it’s healed. (and then, looking for Natalie) That was one of Natalie Kensington’s brilliant ideas in what? January? February? Safety first, right Natalie? No Natalie Kensington. AMY TENNANT (CONT’D) * Where did Natalie go? Still, Amy continues on. Her favourite part: AMY TENNANT (CONT’D) With full funding, we’d love to begin human trials next year. (and then) Welcome to your future. [[Back to...->Clare Falls - Original Script]]

10 EXT. VAUXHALL - DAY - BACK TO SCENE CLARE loses her balance. Collapses. We finally see her face: Her EYES are BLOODSHOT. Her SKIN WAVERS, bones growing UNDER HER SKIN, reshaping her FACE, her ARMS, distending them. She’s COUGHING UP pink, bubbling BLOOD. VOICE (O.S.) Someone call 999! Oh, God. HELP! The sound of NEWS HELICOPTERS overhead -- [[Smash to->First Choice - Original Script]]

11 INT. LONDON EVENT SPACE - DAY - BACK TO SCENE Amy looks out into the RAPT CROWD. Searching for Kensington one more time... AMY TENNANT Where did Natalie go? (Anyway...) We have £1.2 billion to raise. And yes, we’re developing nanocells for space programmes. But research in space benefits life on Earth. ON SCREEN: A PHOTO of the Complex’s KINDAR TEAM on the ground, five scientists trying to save the world. The KINDARIAN FLAG flying in one corner. AMY TENNANT (CONT’D) For instance, we had teams on the ground immediately after the Kindar chemical weapons attack last year. (and then) Imagine if we’d have had nanocells in place capable of repairing the damage instantly. In the next ten minutes, I’d love to-- There’s a NOISE from the back of the room. A DOOR opening. AMY TENNANT (CONT’D) Can this... (wait)?? EMILY HARRINGTON (28, British) walks to Amy. Quietly -- EMILY HARRINGTON There’s an emergency. Do you [[ignore Emily?-> Ignore Emily - Scene 100]] or [[Listen to Emily? A->Let Emily Speak - Original Script]]

11 INT. LONDON EVENT SPACE - DAY - BACK TO SCENE Amy turns to Emily. AMY TENNANT Where’s Natalie? EMILY HARRINGTON (an answer) There’s an emergency. Something about the way Emily says it - This is for real. AMY TENNANT I'm sorry, everyone, but it appears * we need to cut this short. EMILY HARRINGTON (to the larger group) I apologise. We’ll reschedule as soon as possible. People STAND, handing Amy BUSINESS CARDS and PAPERS as Emily escorts Amy out of the room. Amy takes them all -- Emily eyes all the paperwork. Even in an emergency, here’s more work! EMILY HARRINGTON There’s a situation near Vauxhall. As Amy and Emily hit the door at a [[RUN->In the Car - Original Script]] --

INT. THE KENSINGTON COMPLEX - AUDITORIUM - DAY Amy holds her hand up, slowing Emily for just a moment. AMY TENNANT With our work here at the Kensington Complex, along with your generous support, we’d like to have our nanocells ready for human trials within the next five years. A wave of excitement goes through the INVESTORS. Five years means only ten to fifteen before widespread use. Money. Many of the investors raise their hands to ask questions. Emily steps up, insistent. I need to speak to you. Now. Do you [[Ignore Emily Again->Take Questions From Audience - Scene 100C]]? Or let her speak[[now->Let Emily Speak - Original Script]]?

12 INT. CAR / EXT. LONDON STREETS - DAY AMY and EMILY get in the backseat of a car - a DRIVER taking them - and they’re off rushing through TRAFFIC. AMY TENNANT The photo of your team went over well. EMILY HARRINGTON Yeah? Here. This is -- Emily hands AMY an iPAD, clicking a VIDEO of Clare, dropping outside of Vauxhall. AMY TENNANT Why Vauxhall? EMILY HARRINGTON We think she was trying to get in. AMY TENNANT Why not a hosp- She trails off as a LOOK crosses Emily’s face. Fear. EMILY HARRINGTON It’s not been announced, but we think she’s a terrorist. Some sort of bioweapon. AMY TENNANT MI-6. Was she meant to be a suicide bomber? And something went wrong? EMILY HARRINGTON Yes. We’ve announced she might have been attacked - easier to deal with one “victim” while we sort it out instead of instead of creating a public panic. AMY TENNANT Suicide bomber with a malfunctioning bioweapon... EMILY HARRINGTON Yeah. They’ll want us back at the lab. AMY TENNANT Why call us out here? Why not meet them once they’ve got her to the lab? EMILY HARRINGTON Ms. Kensington wanted eyes on this woman as early as possible. * As Emily gestures for Amy to get [[out of the car->London Streets - Original Script]]

13 EXT. VAUXHALL - DAY - MINUTES LATER The WILD ENERGY of LONDON surrounds Vauxhall. Painted MURALS, PASSERSBY with TECHNOLOGY flickering in their EYES. The NOISE of CROWDS and MEDICAL MACHINES. POLICE. HAZMAT. EMILY and AMY get out of their CAR. They FLASH their KENSINGTON COMPLEX BADGES -- stepping under CAUTION TAPE. HAZMAT MEMBER Thank God you’re here. Hospitals’re nervous about taking this one on. He hands Amy an iPAD with readouts (HEART RATE, BLOOD TYPING) and she’s down next to -- CLARE, encased in a CLEAR BIO-PROTECTOR TUBE, WIRES and TUBES all around her. She is safe from the outside world. We are safe from her. A POP from inside the BIO-PROTECTOR. AMY TENNANT Yeah. They should be nervous. No worries. We’ve got a better system at Kensington. HAZMAT MEMBER Oxygen flowing. We can move her on your word -- Amy clocks a NORMAL AMBULANCE and a DRONE AMBULANCE nearby. AMY TENNANT How’re we getting her in? HAZMAT MEMBER Two options. Single-person drone or ground ambulance. Emily’s MOBILE BUZZES - and Emily looks at it quickly. EMILY HARRINGTON The drone would get her there faster. HAZMAT MEMBER The drone’s more dangerous, though. If it crashes, whatever’s in here gets out, we could be looking at a pandemic. EMILY HARRINGTON It won’t crash. HAZMAT MEMBER You can’t know that. EMILY HARRINGTON The drone would get her to the lab * quicker. Time is of the essence. * AMY TENNANT We're in a hurry to save a * terrorist’s life? EMILY HARRINGTON We might be able to get information from her. Amy contemplates. CITY NOISE, warm and loud, rises around. Does Amy take [[the drone->drone - Original Script]] or [[ground->SHOCK ENDING ONE - Scene 101]]?

13 EXT. VAUXHALL - DAY - SAME TIME AMY TENNANT (CONT’D) Drone. Let’s be safe - you guys know what you’re doing. Just, you know, don’t fuck it up? The AMBULANCE TEAM rushes in. They LIFT the entire BIO-PROTECTOR into a WAITING SINGLE-PERSON AMBULANCE DRONE. As the AMBULANCE DRONE LIFTS UP, Amy turns to the POLICEWOMAN. Their façades slip: Holy shit. This is bad. HAZMAT MEMBER (O.S.) Let’s get this area secured! Amy and Emily are WAVED BACK into the CAR, and they’re [[OFF->Meet Natalie and Rhys - Original Script]] --

EXT. VAUXHALL - DAY Amy thinks for a moment. AMY TENNANT Ground. You’d only fit her in the drone, and I want eyes on her. The HAZMAT MEMBER waves the AMBULANCE TEAM in -- EMILY HARRINGTON Drone’s less dangerous to the city - (then, realising) What are you afraid of? AMY TENNANT Something’s wrong... HAZMAT MEMBER Terrorists don’t deserve to have their life saved... We catch Amy’s reaction -- not certain she agrees with the HAZMAT MEMBER. But it’s too late to change her mind now. The AMBULANCE TEAM LIFTS CLARE, still in her protective tube, into the back of an AMBULANCE. Amy follows her in -- INT. AMBULANCE - DAY The AMBULANCE TEAM SLAMS the DOOR BEHIND AMY. Weird. AMY TENNANT Hello? There is no answer. No WINDOW up front to see the DRIVER. Amy looks around. The AMBULANCE PULLS AWAY FROM THE SCENE -- Amy sits. Watches Clare, with her distending face and bones. There’s a POP. HISS. The back of the AMBULANCE FILLS WITH a FOG of some POISONOUS GAS. Someone’s covering their tracks. AMY TENNANT (CONT’D) Wait! No! Amy DROPS, trapped, confused. Dying. As we FADE TO BLACK... Would you like to [[start over->Opening Scene - Original Script]]?

14 EXT. THE KENSINGTON COMPLEX - DAY - ESTABLISHING The Kensington Complex. A high-end, gorgeous NEW BUILDING standing out from all the centuries of London architecture. A city so alive, so free. And yet -- NEWS PRESENTERS (PRELAP) Terrorism concerns once again... / authorities have been storing up medicines for inevitable attacks... / Technology-assisted outbreaks... / Security Services are on high alert... 15 INT. THE KENSINGTON COMPLEX - FOYER - DAY ARMED GUARDS give a vaguely foreboding flavour. SUITED MEN and white-coated SCIENTISTS zip through -- In a RUSH, LAB WORKERS push CLARE’s GURNEY through the DOORS -- Past SCREENS displaying the latest NEWS REPORTS -- images of CLARE, screaming. An AMBULANCE DRONE. A CHYRON: ANTHRAX? BLEEDING WOMAN FOUND OUTSIDE VAUXHALL - TERRORISM POSSIBLE. AMY and EMILY come through the door, past SECURITY GUARDS -- including TWO GUARDS (a men and a woman) IN BLACK, save for the KINDARIAN COLOURS -- red, white, purple -- on their jackets. They all exude: Don’t fuck with us. They follow behind EMILY and Amy, keeping watch. Unnerving. NATALIE KENSINGTON (45, British, OWNER and FINANCIER of the Kensington Complex) is surrounded by nervous ASSISTANTS waiting as she hands off PAPERWORK to each. When she sees Amy, she dismisses them with a quick WAVE of her hand. AMY TENNANT I suppose we’ve proven our commitment to safety, yeah? Pulling me out of our biggest fundraising -- NATALIE KENSINGTON You’re all right? AMY TENNANT (a thing they say, often) We’re just girls playing with someone else’s money, right? NATALIE KENSINGTON One thing -- DR. RHYS WAKEFIELD (37, British), that one thing Kensington was trying to mention, runs through the door. NATALIE KENSINGTON (CONT’D) Wakefield! Sorry to pull you off holiday. How’d you get in so fast? RHYS WAKEFIELD Tube wins across London every time. He’s seen Amy. They’re both FROZEN. Both WTF? There’s a history there- AMY TENNANT ... You've got to be kidding me. [[Pull it together - Original Script]].

16 INT. THE KENSINGTON COMPLEX - HALLWAY - MOMENTS LATER In a HIGH-SECURITY hallway, Kensington is several steps ahead. Rhys turns to Amy. RHYS WAKEFIELD I didn’t know you were going to be here. I would’ve -- AMY TENNANT Said something? Run screaming? RHYS WAKEFIELD The screaming part. AMY TENNANT If you got called back from vacation -- it means you’re not all zenned from your adrenaline rushes. I need you to tell me if you’re going batshit today, all right? RHYS WAKEFIELD I spend all day in labs making sure I don’t kill anyone. Not going to apologise for otherwise sprinting into danger. Fuck it - you gotta live. He strides ahead. Amy starts to catch up with Kensington. The LIGHTS FLICKER for just a second. Amy PAUSES. Did I just see that? There’s a quiet THUD from somewhere. AMY TENNANT Did you... She looks at Rhys, but he’s too far ahead -- staring at a TV. Amy looks around once more. The lights are fine. No more strange sounds. That lack of sleep is getting to me. She’s still unsettled. But maybe it’s just Rhys in the lab. NATALIE KENSINGTON (quietly, to Amy) Is it going to be too much, working together? AMY TENNANT You should’ve told me. NATALIE KENSINGTON I'm sorry, a few other more pressing things on my mind at the moment than your prior relationships-- She lets the thought hang as Amy ponders her choices. Amy and Kensington catch up to Rhys, watching A NEWSCAST. * IMAGES ON SCREEN: CLARE outside Vauxhall, chaotic scenes of HAZMAT TEAMS, POLICE TAPE. They slow -- An iPHONE VIDEO of CLARE, falling to the GROUND. BBC PRESENTER (ON TV) If you have any information, please do call the tip line... RHYS WAKEFIELD Fuck. ON SCREEN: CLARE LEE once again. The scene shifts to -- ON SCREEN: The European Centre for Disease Prevention & Control’s RICK CREGGS (50s, intense) taking questions -- UNSEEN REPORTER (ON TV) What would you say to those questioning the efficacy of our current ability to fight terror -- CREGGS (ON TV) No one has said this is terrorism -- UNSEEN REPORTER (ON TV) There’s rumours of anthrax -- CREGGS (ON TV) The victim, we’ve understood her name is Sarah Sixsmith, has been taken to hospital. We’ll keep you apprised as more details -- Does Amy [[take a step back from the TV->Continue on - Original Script]] to ask questions? Or does she [[watch with Rhys->Watch With Rhys - Scene 103B]]?

17 INT. SECURITY LAB ALPHA - FIRST LIFT - CONTINUOUS They’re in. The LIFT begins its long descent below London... NATALIE KENSINGTON The video was out already -- we had to give them something. Kensington hands Amy an iPAD - Clare’s initial readouts, lab protocols, etc. A PHOTO of CLARE’S FACE, DISTENDED PAINFULLY FROM BONE GROWTH. A look crosses Amy’s face. Terror. Recognition. NATALIE KENSINGTON (CONT’D) She was out there for 45 minutes. No one else is reporting symptoms -- but... there was blood everywhere. LIFT VOICE Security Lab Alpha. The LIFT OPENS -- Rhys exits. Amy grabs Kensington’s arm. AMY TENNANT Nat. This isn’t my tech, right? NATALIE KENSINGTON No. (and then, more insistent) No. Nothing gets in or out of this lab without us knowing. (and then) There’ve been rumours Kindar’s trying for something similar to your work... We see a SIGN by KENSINGTON: SECURITY LAB ALPHA - DROP ROOM. NATALIE KENSINGTON (CONT’D) If you need anything -- AMY TENNANT Rhys Wakefield doesn’t scare me. With the briefest squeeze of Amy’s hand, Kensington leaves them to their [[work->Drop Room - Original Script]]

18 INT. SECURITY LAB ALPHA - DROP ROOM - SAME TIME Rhys and Amy step into the DROP ROOM -- lockers, chairs, sinks. They grab their SPECIALTY HAZMAT SUITS. Rhys strips down and changes right there. He is not one of the shy ones. Amy rolls her eyes. RHYS WAKEFIELD The Home Office is going to be asking about full quarantines. Amy steps into a CHANGING CUBICLE -- 19 INT. SECURITY LAB ALPHA - CUBICLE - CONTINUOUS Amy strips, changes into her awesome BLACK LAB SUIT. AMY TENNANT That word cannot leave this room. RHYS WAKEFIELD (O.S.) Yeah, no shit. (a beat, then) Does this feel personal? AMY TENNANT Clare? RHYS WAKEFIELD (O.S.) Sure. 20 INT. SECURITY LAB ALPHA - DROP ROOM - CONTINUOUS Suited up, Amy steps out. RHYS WAKEFIELD She wasn’t following orders, I don’t think. AMY TENNANT She was in excruciating pain. She kept going. It feels more... emotional than just following orders. RHYS WAKEFIELD People with causes can be dangerous? Really? AMY TENNANT Don’t -- RHYS WAKEFIELD You’d have done anything to keep your brother alive as kids. Amy’s eyes snap up to Rhys. He’s hit a raw nerve. AMY TENNANT I wouldn’t have become a terrorist. RHYS WAKEFIELD No. Sometimes you become a medical researcher and spend your whole life making it up to him. Off Amy: Fuck you. She turns [[away->Flashes - Original Script]]

20 -- BLACK GLOVES sliding onto Amy’s hands. Amy putting a CLEAR HAZMAT HELMET on. -- A ROW of THREE ELECTRONIC SENSORS ON AMY’S HAZMAT OVER-SUIT, blinking to life. Same on RHYS’ HAZMAT OVER-SUIT. -- Rhys’ BOOTS snapping SHUT. They walk to another DOORWAY. Amy leans over to SMALL BOX. ANGLE ON: AMY’S EYE, the light tracing the jagged lines of her iris. ANGLE ON: RHYS’ EYE as the LIGHT traces his IRIS. They get into the LIFT at the FAR SIDE of the DROP ROOM -- and the DOOR CLOSES BEHIND THEM. But instead of going DOWN, the LIFT moves BACKWARDS, across the emptiness of an AIR-LOCKED VACUUM. [[The VOID - Original Script]]

21 INT. CROSS-VOID AIRLOCK LIFT - SAME TIME Rhys and Amy stand in the moving LIFT as it crosses the Void. Amy reads the PAPERS Kensington gave her. RHYS WAKEFIELD That was uncalled for. Sorry. AMY TENNANT Why are you even here? Weren’t you the one afraid of feeding Kensington’s ego? RHYS WAKEFIELD She’s playing with daddy’s money, and she’s got a God complex. It’s dangerous. I don’t care if your best friend thinks she’s trying to save the world. (and then) Who’s already in the lab? AMY TENNANT (reading) Thomas Ryan and Everley North. The CUBE SHUDDERS, STOPS. The SOUND of a LINK, AIR HISSING. RHYS WAKEFIELD Thirty metres of artificial vacuum underground into this lab. It’s a little freaky. AMY TENNANT Don’t think about it too much. The DOOR OPENS. They step out. A DOOR HISSES SHUT. 22 INT. THE VOID - SAME TIME The CROSS-VOID LIFT MOVES BACK across the vacuum, leaving Amy and Rhys and their team safely ensconced. Or [[stranded->Security Lab Alpha First View - Original Script]]

23 INT. SECURITY LAB ALPHA - MAIN LAB - CONTINUOUS The HIGH-SECURITY LAB is WIDE OPEN -- high ceilings all glass and white ceramic and chrome, with EQUIPMENT (microscope tables, rows of test tubes, REFRIGERATED STORAGE, an ENORMOUS VIDEOSCREEN)on the edges. Amy and Rhys walk in. TWO SUITED-UP DOCTORS are already in, keeping watch over Clare: THOMAS RYAN (40s) & EVERLEY NORTH (50s), both fully SUITED, both working HARD to set up Clare and save her life. A soft BEEPING echoes. AMY TENNANT Dr. Thomas Ryan, Dr. Everley North. I’m Dr. Tennant, Dr. Wakefield. We notice TINY FISSURES in the wall: METALLIC WALLS that spring out and magnetically seal -- the lab’s last defence if something goes horrendously wrong. Amy RUNS HER FINGERS across one of the fissures. The safety of London is paramount to the lives of the scientists in the laboratory. THOMAS RYAN We’re good to seal if you are. AMY taps a BUTTON near the LAB DOORS -- COMPUTER VOICE Electronic seals activating. TWO LIGHTS ABOVE the DOOR COME ON -- and a THIRD ONE COMES ON one second later. COMPUTER VOICE Electronic seals complete. (at the same time) AMY TENNANT And Kensington’s locked us in from upstairs. Two GLASS CLAMSHELL CASES -- isolated experiment cases with GLOVES reaching inside -- sit nearby. There’s a smaller, more locked down INTENSIVE LAB to the left side -- a secondary protective environment inside the most protected environment on the planet. EVERLEY NORTH (to Amy) We met in March at the Plains Summit. You were talking about latticing stem cells and extracellular matrix for skin transplants -- AMY TENNANT Yes. Of course. I remember. (and then) How is she? And CLARE LEE, lying in the CENTRE of the ROOM, encased in her QUARANTINE TUBE. AIR SUPPLY and IVs beep. EVERLEY NORTH Her vitals are weakening. We’ve a cannula in, fluids and nutrition -- THOMAS RYAN We’ve ordered blood for transfusions to be on standby, but - EVERLEY NORTH It’s her bones that -- well. Look. I don’t think it’s a blood transfusion she’ll need. EVERLEY HITS A SCAN BUTTON on Clare’s BIO-PROTECTOR, and an INSTANT X-RAY POPS UP: Clare’s skeleton, warped and wild, even to the untrained eye. RHYS WAKEFIELD Holy shit. It’s attacking bone structure? This is all from today? EVERLEY NORTH It has to be biotech -- there’s just no other explanation for it. RHYS WAKEFIELD Why? THOMAS RYAN Even at its best, the human body can’t create like that. We see this news HIT AMY. Confirming her nightmare. EVERLEY NORTH I’ve just never seen anything like it. Have you? Amy runs her hand across the QUARANTINE TUBE. My tech. My tech. My tech. She can’t escape the echo in her own mind-- CLARE OPENS HER EYES -- Amy JUMPS. Clare fights to REMOVE her MASK. CLARE LEE Mina. Lab Seven. She drifts. The VIDEOSCREEN DINGS. INCOMING CALL. AMY TENNANT Clare. I’m Doctor Amy Tennant. Can - RHYS WAKEFIELD Accept call. Clare drifts back into unconsciousness. Fuck. Amy takes a SEALED BLOOD SAMPLE from the side of the QUARANTINE TUBE -- putting it inside a CLAMSHELL CASE nearby. NATALIE KENSINGTON, tense, nervous, pops ON SCREEN. NATALIE KENSINGTON (ON SCREEN) How bad is this? Amy gestures towards Clare’s X-RAYS. AMY TENNANT She’ll have permanent bone damage -- if she even survives. Kensington reaches for a TUMBLER, running her finger along the edges. That looks a hell of a lot like whisky in there. NATALIE KENSINGTON (ON SCREEN) Everyone is in danger with her here. Just... be safe. RHYS WAKEFIELD Because the Void and the Alpha Lab didn’t give that away. Annoyed, Kensington DISCONNECTS the call. Amy is staring at the QUARANTINE TUBE, at CLARE. Thinking. AMY TENNANT Don’t antagonise Natalie. Her day’s shit enough. RHYS WAKEFIELD It’s a little fun. She’s acting like this is some personal affront to her, like everyone in the world wants her dead. The ego... AMY TENNANT The drone team best not have fucked something up here -- RHYS WAKEFIELD It’s why Kensington brought us both in here - we’ll catch whatever anything they screwed up. (and then) How’s Paul? Make an honest man...? Amy ignores the question. Off Rhys -- RHYS WAKEFIELD (CONT’D) (Fine.) Let’s get microscopes set up for once we’ve got dialysis running. As Everley and Thomas move to do that, Rhys walks towards the REFRIGERATION UNIT -- A SPARK. Amy BARELY SEES IT -- AMY TENNANT RHYS! She DIVES FOR RHYS, knocking him -- [[BOOM - Original Script]]!

23 INT. SECURITY LAB ALPHA - MAIN LAB - CONTINUOUS An EXPLOSION ROCKETS through the lab. In INSTANTANEOUS FLASHES -- Heat and fire and an UNEARTHLY SCREAMING. Rhys and Amy, THROWN into the air -- A guttural SCREAM ECHOING THROUGH THE LAB as the METAL WALLS SLAM SHUT -- LOCKING DOWN, TRANSFORMING. RHYS SMASHES OFF Amy’s CLAMSHELL CASE -- Amy SLAMS against the back wall -- SMASH TO BLACK. 24 OVER BLACK The sounds of FIRE. Electronics FIZZING. ALARMS blaring. * BLOOD dripping to the floor. The ceiling BURSTS with thick * clouds of chemical fire retardant. * A FLASH OF LIGHT, [[and->Main Lab Post-Explosion - Original Script]] --

25 INT. SECURITY LAB ALPHA - MAIN LAB - MOMENTS LATER RHYS and AMY, trying to breathe on the floor. Holy shit. Singed hair. Cracked ribs. Blood and smoke and chemical * clouds in the air.. So much PAIN. Amy’s there, next to Rhys, pulling him up from the ground. RHYS WAKEFIELD (coughing) Are you all right? * AMY TENNANT * I'm okay. I'm okay. How long were * we out? Rhys pulls himself off the floor by the CLAMSHELL CASES -- disoriented, hurting, snapping into emergency mode. There’s BLOOD on the CLAMSHELL CASE where Rhys hit. * The LAB is UTTERLY DESTROYED. * RHYS WAKEFIELD * A few seconds at most? What about * the others? * Amy runs towards the QUARANTINE TUBE -- afraid. CLARE LEE seems DEAD IN THE EXPLOSION. Amy’s knees BUCKLE. But a GREEN LIGHT flashes at the end of Clare’s TUBE. Alive. Clare’s chest moves slightly as she BREATHES in. AMY TENNANT She's still alive! Amy sprints for the DOOR -- but instead finds a METAL WALL WITH ONE SMALL 30cm-THICK WINDOW where THE DOOR once was. The WINDOW where they check to see if you are DEAD. "Trapped." THE SECOND AND THIRD SECURITY LIGHTS are ON, the first one off in the aftermath of the explosion. AMY TENNANT (CONT’D) We’re trapped. There’s BLOOD on Amy’s CLAMSHELL CASE where Rhys hit. Amy struggles to see through the dissipating cloud of fire * retardant smog as she checks on the others. * She comes across Thomas's crumpled body. His neck is twisted * at a strange angle. Neck broken. He's dead. (to Rhys) * AMY Thomas is dead. * RHYS WAKEFIELD * God. I told them -- microscopes -- * they were standing here. * (beat) * Where's Everley? * Amy squints through the dissipating smoke and sees movement * on the ground near some debris. * AMY TENNANT * I've found her! * Amy takes a step toward Everley and is hit with a SHOWER OF * SPARKS as a few writhing LIVE WIRES fall from the ceiling, * snapping in her direction. They're out of control, blocking * her from reaching Everley ... * EVERLEY * H-Help me! * Everley’s shattered helmet seems to have sliced her carotid * artery. BLOOD EVERYWHERE. She's trying to staunch the flow * herself, but having no luck. * Amy takes a step toward the bleeding Everley. The live wire * SNAPS dangerously close to her. * RHYS WAKEFIELD * Don't, Amy! If that wire hits you- * AMY TENNANT * She's bleeding to death! * RHYS WAKEFIELD * Just give me a second. Breaker's * gotta be around here somewhere ... * AMY TENNANT * We don't have a second! Her * carotid's severed! * EVERLEY * H-heeelp ... * *** NARRATIVE CHOICE: [[Wait for Rhys - sc 25a]] or [[Save Everley - Scene 105]] ***

105 INT. SECURITY LAB ALPHA - MAIN LAB - MOMENTS LATER Everley is bleeding badly. Amy makes the decision. She takes a BEAT to try and predict the patterns of the wires. She tenses ... ... Then manages to dance through the wires without being touched! Amy quickly kneels down beside Everley and applies pressure to the neck wound. AMY TENNANT (to Everley) I'm here, Everley! I'm here ... (yelling to Rhys) Find the first aid kit and toss it to me! Quickly! We hear Rhys RUNNING across the lab. AMY TENNANT (CONT’D) (to Everley) Almost there. Just hang on ... Amy is kneeling in a rapidly-expanding puddle of Everley's blood as she tries to save the scientist's life. Rhys has abandoned the breaker box in order to get the first aid kit. The SNAPPING WIRES hover above the puddle fo blood. AMY TENNANT (CONT’D) (to Rhys) Hurry up, Rhys! She's dying! RHYS WAKEFIELD (O.S.) I'm trying to find the kit, Amy! Hold on! AMY TENNANT There's no- One of the wires drifts into the puddle of blood, touching it. Amy TENSES UP as thousands of volts of electricity hit her. She falls to her side in the puddle, her eyes pinned open as she's electrocuted. Her last vision is of Rhys, first aid kit in his hands, stares at her helplessly through the wires. RHYS WAKEFIELD Amy! No!!!! Would you like to make another choice? [[ Click here|Main Lab Post-Explosion - Original Script]]

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Rhys waits for Amy’s answer -- AMY TENNANT Is anything else still on fire? RHYS WAKEFIELD I don’t know. He COUGHS, trying to clear smoke and fear from his lungs. AMY TENNANT Just... She trails off, still trying to make sense of her surroundings. RHYS WAKEFIELD You all right? AMY TENNANT Yeah, I... RHYS WAKEFIELD S’all right if you need a second. You don’t always have to sort everything on your own. He moves through the LAB - checking for smoldering pieces of wall and metal. AMY TENNANT I’m used to it. She SWEEPS broken GLASS to one side. A quiet BEEPING sounds, somewhere. RHYS WAKEFIELD You don’t have to be. AMY TENNANT Parker would’ve built the air systems with an oxygen reclaimer -- but with an explosion? RHYS WAKEFIELD Something’s got fucked up? AMY TENNANT Parker’s lockdown protocols are always insane - no air, no water, no in or out -- RHYS WAKEFIELD Too bad the explosion didn’t take out one of the walls? AMY TENNANT Yeah. It’s why everyone keeps hiring her to design their labs. She’s Lady Biosecurity. RHYS WAKEFIELD Rapper name, still in progress. AMY TENNANT You should tell her that the next time you see her. RHYS WAKEFIELD You’re not alone in this, Ames. I think the fire’s out. Amy looks at Rhys, carefully. Deciding how she feels about him. AMY TENNANT [[Fine->Check the Air Systems - Original Script]].

25 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY TENNANT (CONT’D) We need to check the air systems. RHYS WAKEFIELD All right. There we go. Amy pulls herself off the floor and goes to a WALL, where a COMPUTER SCREEN is embedded. Amy TOUCHES IT. ON SCREEN: AIR CONTROLS. Amy hits the BUTTON. ON SCREEN: AIR CONTROLS. EMERGENCY SHUTDOWN MODE. COMPUTER VOICE Clean protocols have been enacted. Rhys looks up from his LEFT ARM - a BLEEDING GASH from SHOULDER TO ELBOW. That’s going to hurt in the morning. * His suit's integrity has been compromised and the standbys * are destroyed. He takes his helmet off. FUCK. * Amy races across the LAB and grabs the PHONE. She [[dials->Emily Harrington Answers Her Phone - Original Script]].

26 INT. NATALIE KENSINGTON’S SUITE - EMILY’S OFFICE - SAME TIME Emily picks up her PHONE. EMILY HARRINGTON We saw the lockdown protocol. Is * everyone okay? 27 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME On the PHONE, Amy looks around, taking stock in the situation. AMY TENNANT Rhys & I are ok. Clare’s still alive, but only just. Dr. North and Dr. Ryan didn’t... they didn’t make it. EMILY HARRINGTON (O.S.) Oh, Amy. ON SCREEN: CLEAN PROTOCOLS ENACTED. AIR SUPPLY: TWO HOURS. A TIMER is already counting down: 1:54:57, 1:54:56... Amy closes her eyes. Shit. Shit. Shit. An ELECTRICAL SYSTEM sparks. Amy ducks -- AMY TENNANT Em, I know you do exactly what Natalie tells you to do -- but I need you to get her off the phone and down here. I don’t care if she’s on with the Prime Minister. 28 INT. NATALIE KENSINGTON’S SUITE - EMILY’S OFFICE - SAME TIME Emily’s FRANTICALLY TYPING. EMILY HARRINGTON Call you right [[back->Amy and Rhys deal with lab - Original Script]].

29 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy ends her call. A moment of calm after devastation. Most of the TEST TUBES along the wall are SHATTERED. MICROSCOPES lay on the floor where they were blown. Rhys pulls CLEAN LAB COATS from a LOCKER, kneels down. He closes Dr. Ryan’s open eyes, gently covering both Dr. Ryan and Dr. North. Amy walks to the LAB INTENSIVE and looks into the SECOND, SMALLER ENCLOSED lab. The GLASS WALLS withstood the blast. Perfectly intact. She taps the I.D. KEYPAD and it glows RED. Seal enacted. As the last five minutes hits them both -- Amy slides to the floor, and Rhys follows her. Emotionally overwhelmed. RHYS WAKEFIELD Shit. AMY TENNANT I saw a spark, then -- RHYS WAKEFIELD The storage shorted? AMY TENNANT No. The explosion was too powerful for a short. Someone did this. Amy’s eyeing his SHOULDER, the BLOOD running down his LEFT ARM. She picks up a TOSSED-OVER CHAIR near the door. AMY TENNANT Sit. Amy gets up to grab the first aid kit. She brings the kit back to Rhys, opens it, and pulls out DISINFECTANT and GAUZE. PLASTERS. A MATCHBOOK. GLOVES. She reads the DISINFECTANT. AMY TENNANT (CONT’D) Not for use on deep injuries. Great. She rips Rhys’ black SUIT SLEEVE aside, revealing a DEEP WOUND -- left shoulder to elbow. Damn. Rhys sees the CONCERN on Amy’s face, the slightest softening towards him. A smile flickers on his face. For just a moment, they breathe in this tiny hint of who they used to be, this Amy and Rhys friendship that went awry -- Amy snaps away from Rhys, trying to avoid this remnant of their past coming to the surface. RHYS WAKEFIELD (attempting a subject change) Clare is still alive. We’re still alive. Step one, accomplished. AMY TENNANT It’s a bit like adding something to your to-do list just so you can cross it off, isn’t it? RHYS WAKEFIELD (amused) I’ll take progress where I can get it, thanks. RHYS WAKEFIELD You should add "create more oxygen for air supply" to that list. Just FYI. AMY TENNANT Yeah. There’s a DULL THUD from outside the LAB. Amy and Rhys exchange a look: What the HELL is that noise? Does Amy [[finish taking care of Rhys->Finish Taking Care of Rhys - Original Script]]A? Or does she [[find out what the noise is->Look for Noise - Scene 106]], and escape this strange emotional moment?

29 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy moves to Rhys. RHYS WAKEFIELD Thank you. AMY TENNANT You’re no good to me if you’re bleeding everywhere - shit! Amy accidentally DUMPS too much DISINFECTANT into Rhys’ WOUND. Rhys reacts, in pain. AMY TENNANT (CONT’D) Sorry. RHYS WAKEFIELD Swear to God, this is why I ask for whiskey in my labs. He’s watching the EMERGENCY SHUTDOWN PROTOCOLS counting down. 1:54:21, 1:54:20... AMY TENNANT Emergency protocols only kick in when there's been a breach. RHYS WAKEFIELD If there was a breach, we'd know about it. This is some explosion- damaged motherboard. Another THUD from OUTSIDE. He looks at the TWO REMAINING SECURITY LIGHTS, unyielding in their stance. You are secure. You are securely trapped. RHYS WAKEFIELD (CONT’D) (utterly sincere) I just hate that you got caught here too. AMY TENNANT My choice to be in here. RHYS WAKEFIELD I’ve always wanted good things for you. You know that. Amy’s caught off guard by the sentiment. As she recovers -- AMY TENNANT You suddenly want good things for me? You disappeared from my life. She reaches into the MED KIT again and comes up with SKIN GLUE. A NECKLACE she’s WEARING -- with a TINY FLASH DRIVE -- swings out around her NECK. She POURS GLUE around the WOUND. RHYS WAKEFIELD (gently teasing) You still wear your flash drive? You can’t even be away from your research for half a second. AMY TENNANT You read through all this stuff when you sign eight million lab contracts -- RHYS WAKEFIELD The safety of London is paramount to the lives of the scientists in the laboratory. AMY TENNANT First time I read that, I thought - a lab with that commitment to bio-security? RHYS WAKEFIELD Hindsight’s a bitch. Another THUD. AMY TENNANT What is that? RHYS WAKEFIELD It’s the cavalry, coming to rescue us. Of course. AMY TENNANT (regarding the gauze & glue) This isn’t great but it’ll hold for a bit. Don’t do anything stupid. Rhys COUGHS, clearing smoke from his lungs. He looks down at the bandage. Amy TOSSES her GLOVES in a BIOHAZARD BIN. RHYS WAKEFIELD Accept call. The VIDEOSCREEN springs to life -- and KENSINGTON is waiting. NATALIE KENSINGTON (ON SCREEN) Amy? What’s gone on? Biosecurity’s kicked on? RHYS WAKEFIELD Active as shit, let me tell you. There’s something ON EDGE about Kensington. She’s scared. AMY TENNANT There was an explosion -- RHYS WAKEFIELD Just get us the fuck out of here. Kensington just stares at Rhys for a BEAT. -- NATALIE KENSINGTON (ON SCREEN) (to Amy) Do you want to tell him, or should I? RHYS WAKEFIELD Tell me what? AMY TENNANT Rhys ... RHYS WAKEFIELD What? What is it? AMY TENNANT There’s no point to bio-security if it can be switched off. Rhys's face registers shock and disbelief. RHYS WAKEFIELD We’re going to die in here because your damn door won’t open? NATALIE KENSINGTON (ON SCREEN) So long as the system finds a threat, it has the ultimate power. RHYS WAKEFIELD You said that in front of a mirror before? It’s malfunctioning! NATALIE KENSINGTON (ON SCREEN) We can’t risk a bug getting into the city. It’s two steps and a quick Tube before it’s at Heathrow. The safety of London is paramount to the lives of the scientists in the laboratory. Emotion thick in her voice -- NATALIE KENSINGTON (ON SCREEN) (CONT’D) I’m so sorry. Amy... As though she’s saying goodbye to a dying friend. Kensington looks up as SOMEONE (off screen) walks in. NATALIE KENSINGTON (ON SCREEN) (CONT’D) Just a moment. KENSINGTON DISCONNECTS the call. RHYS WAKEFIELD We die in here, she still gets to say her lab works perfectly. She’s playing on both sides here. AMY TENNANT Wow. Bleak, much? RHYS WAKEFIELD Parker Caplani designs back doors into all her labs, right? AMY TENNANT She’ll have called in already. I’m sure she has an alert system built in. Amy CHECKS ON CLARE. No change. Nothing Amy can do right now. COMPUTER VOICE Outside lines disabled. Please wait to connect. RHYS WAKEFIELD (incredulous) Kensington’s disconnected outside lines. Why would she do that? There’s another THUD. Amy & Rhys are too deep in thought to investigate. Only the most eagle-eyed will notice the SECOND SECURITY LIGHT blink off. RHYS WAKEFIELD (CONT’D) Clare’s worked for 6, same as you and I, and we all might die in here -- one of the first times Kensington’s lab is used? AMY TENNANT What are you saying? RHYS WAKEFIELD Who benefits from this? (and then) Kensington’s forgot she had me build a security system for our lab last year. AMY TENNANT You know her codes? He shrugs. RHYS WAKEFIELD I know you two are cozy, but I've always found her a bit ... sheisty. Of course I know her codes. I could just hack in, give a little listen. AMY TENNANT This is how scientists end up getting killed, you know. RHYS WAKEFIELD Look at me. Halfway to dead already. AMY TENNANT (thankful for the humour) Fair. Rhys finds SECURITY FOOTAGE and gets ready to LOG IN as KENSINGTON. AMY TENNANT (CONT’D) Wait. RHYS WAKEFIELD Why? If she's got nothing to hide, then we won't learn anything we don't already know- AMY TENNANT She's my friend. I trust her. RHYS WAKEFIELD Well, that's one of us. Rather than do it anyway, Rhys takes his fingers off of the keyboard. He can see that Amy's conflicted. RHYS WAKEFIELD (CONT’D) We're stuck together in here. We have to cooperate if we're going to survive. If you don't want me to, then I won't do it. *** NARRATIVE CHOICE HERE *** [[LET RHYS HACK IN]] Or [[TELL HIM NOT TO?]]

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME There’s another THUD from the OUTSIDE. RHYS WAKEFIELD Swear to God, this is why I ask for whiskey. He’s watching the EMERGENCY SHUTDOWN PROTOCOLS counting down. 1:54:20, 1:54:19... AMY TENNANT Emergency protocols only kick in when there's been a breach. RHYS WAKEFIELD If there was a breach, we'd know about it. This is some explosion-damaged motherboard. Amy looks up at the TWO REMAINING SECURITY LIGHTS, unyielding in their stance: You are secure. There’s ANOTHER THUD. AMY TENNANT Enough. She leaves Rhys’ side, going to PEER OUT the ONE WINDOW. RHYS WAKEFIELD Shouldn’t we be focusing on Clare? AMY TENNANT Instead of stitching you up? RHYS WAKEFIELD Instead of worrying about what’s outside. Let’s solve the problems in here first. AMY TENNANT Two hours of air. RHYS WAKEFIELD It does tend to put one’s life a bit in perspective. There’s ANOTHER THUD outside. As Rhys and Amy exchange a look -- does Amy [[Go back to Rhys and Clare A->Finish Taking Care of Rhys - Original Script]]? Or focus on what's [[outside the lab->Noise Search Continues - Scene 107]]?

29 INT. SECURITY LAB ALPHA - MAIN LAB - MOMENTS LATER Rhys scans through the SECURITY TERMINAL. Water’s dripping down the walls -- but the alarms have finally silenced. EMERGENCY runs across the SCREEN. RHYS WAKEFIELD She disconnected our outside lines. Clare’s worked for 6, same as you and I, and we all might die in here -- one of the first times Kensington’s lab is used? AMY TENNANT (half listening) I’m a researcher, a designer. I don’t have the clinical experience - this is why we had doctors here... RHYS WAKEFIELD Who benefits from this? (and then) Kensington’s forgot she had me build a security system for our lab last year. AMY TENNANT Do you know her codes? (then, hearing herself) This is how scientists end up killed, right? RHYS WAKEFIELD Look at me. Halfway to dead already. AMY TENNANT (thankful for the humour) Fair. (and then) Natalie -- there’s no one here who would come after us. RHYS WAKEFIELD Really? Rhys finds SECURITY FOOTAGE and LOGS IN as KENSINGTON. AMY TENNANT Wait. Don’t hack in as Kensington -- RHYS WAKEFIELD Let’s find out what she’s been saying. AMY TENNANT Do you respect any boundaries -- you could get fired. RHYS WAKEFIELD Too late. A VIDEO POPS UP ON SCREEN -- KENSINGTON and EMILY finishing their conversation. NATALIE KENSINGTON (ON SCREEN) Announce a security upgrade gone awry. A minor thing, nothing to worry about. Then we’ll work the problem. One step at a time. AMY TENNANT She’s drinking -- why is she afraid? There’s a RINGING in the LAB. Rhys PAUSES the VIDEO. COMPUTER VOICE Incoming call. AMY TENNANT Log out. RHYS WAKEFIELD I’m trying. AMY TENNANT Rhys! RHYS WAKEFIELD Ignore the call. COMPUTER VOICE Call declined. AMY TENNANT They’re going to want to know why you just -- RHYS WAKEFIELD There. I’m logged out. Rhys walks to Clare’s TUBE. He moves his shoulder, stiff and painful. Clare’s UNCONSCIOUS, her BONES still morphing. Then, as though picking up a conversation -- RHYS WAKEFIELD (CONT’D) That must be agonising. She’s a terrorist, but there has to be, I don’t know, morphine or something we can give her? COMPUTER VOICE Incoming call. AMY TENNANT You’re using her being in pain? RHYS WAKEFIELD Make a choice - yes or no? AMY TENNANT For you? RHYS WAKEFIELD For her? Or maybe so you don’t have to think about her being in pain? Does Amy [[give Clare morphine A->Give Clare Morphine 1 - Original Script]]? or [[let Clare suffer->Let Clare Suffer - Scene 110]]?

29 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME COMPUTER VOICE Incoming call. AMY TENNANT (regarding morphine) Do it. RHYS moves to get a SYRINGE OF MORPHINE. He gently INJECTS IT into Clare’s line. She begins to relax slightly. RHYS WAKEFIELD Accept call. The VIDEOSCREEN pops to life -- Kensington is there. RHYS WAKEFIELD (CONT’D) Apologies for missing your last call - fucking medical decisions. (trying for a humourous aside to Amy) Blah blah, doctors. NATALIE KENSINGTON (ON SCREEN) Everything’s being done to get you out of there -- RHYS WAKEFIELD About time. But, just out of curiosity, that include killing our phones? AMY TENNANT Natalie, I don’t know if she’s going to survive. We’ve lost the medical team, and if we can’t get extra supplies down the lift -- NATALIE KENSINGTON (ON SCREEN) We’re getting a secondary team in place to help from here, to try to give you options with the supplies you’ve got in there. RHYS WAKEFIELD Apollo 13 this shit? AMY TENNANT Call Parker. She designed the lab -- NATALIE KENSINGTON (ON SCREEN) Her assistant said she’s in Vienna this morning, but she’s trying to reach her. Just wait for us to find her - The VIDEOSCREEN clicks off. Rhys is pale. Worried. A beat passes, then -- AMY TENNANT I know Parker’s assistant. Marzia. She’s brutal with discretion. RHYS WAKEFIELD You think she’s slipped up? AMY TENNANT No. Either Marzia’s lying about Vienna or... (Why?) Nat’s lying on her answer. (and then) How well do you know Parker? She worked with the FBI last year -- with the lab hack? RHYS WAKEFIELD (laughing) She’s brilliant. AMY TENNANT Do I want to hear this story? With an uptick in his charming, flirtatious energy: RHYS WAKEFIELD You know we were at university together? AMY TENNANT Oh, god. No. I don’t want to hear. RHYS WAKEFIELD (with a smile) I don’t sleep with everything that moves, Tennant. Rhys stands to take the phone and SWAYS ever so slightly. RHYS WAKEFIELD (CONT’D) (off Amy’s worried look) I lost a shit ton of blood. Don’t you get muzzy when you donate? AMY TENNANT We’re calling [[Parker -A->Give Clare Morphine Pt 2 - Original Script]]

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY looks at Clare, still seemingly unconscious in her TUBE. She makes a choice: No pain meds. AMY TENNANT No. We need answers more than she needs pain meds. (and then) Ignore call. The COMPUTER stops ringing. RHYS WAKEFIELD You’re not wrong, but -- AMY TENNANT She did this to herself. RHYS WAKEFIELD Maybe. AMY TENNANT She’s a terrorist! CLARE shifts, a SOUND OF PAIN escaping her. AMY TENNANT (CONT’D) You really think someone forced her to do this? Where are they now? Why aren’t they coming forward? RHYS WAKEFIELD Maybe they’re paying her? AMY TENNANT A mercenary isn’t the most lucrative of career moves. You choose this way of life. Rhys is getting nervous. RHYS WAKEFIELD This just isn’t quite like you -- maybe some outside help? AMY TENNANT Because you’re the expert on me? RHYS WAKEFIELD Yeah, we both know that’s not true... AMY TENNANT After we have the answers. Maybe. Rhys reacts, worried for Amy. Worried, even a tiny bit, for Clare. RHYS WAKEFIELD I just don’t want you to regret this. Amy takes in his implied warning. AMY TENNANT Let’s call Parker Caplani. Get her in here. RHYS WAKEFIELD How well do you know her? AMY TENNANT I was part of her design team in New York -- Rhys pings on New York. RHYS WAKEFIELD The Thomas Richter one? Amy nods. RHYS WAKEFIELD (CONT’D) Shit. I heard about that team. You went from blueprints to opening day in four months. AMY TENNANT Richter had a shit ton of money. RHYS WAKEFIELD Like Kensington does. AMY TENNANT Except no one thought Thomas Richter was just playing around with his father’s money. It’s been a common refrain Amy’s heard over and over. Rhys avoids it, turning the conversation: RHYS WAKEFIELD Did you move to New York? Take the job for Parker? Or had you already moved for Paul? And you just fell in with Parker once you’d gotten there? Amy knows Rhys is really digging for info on Paul. Does Amy [[talk about Paul->Amy talks about Paul - Scene 111]] or [[not->Amy talks about New York - Scene 112]]? (Story diverges from Original script)

30 EXT. CARNABY STREET - LONDON - DAY PARKER CAPLANI (mid 30s, stylish) walks down Carnaby Street in London, a flat white from the Department of Coffee and Social Affairs in hand. She’s on her MOBILE. PARKER CAPLANI Amy Tennant? Emergency? What's- 31 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy is relieved. Victory! AMY TENNANT -Sorry, no time for niceties. What can you tell me about a bio-security at the Kensington Complex? 32 EXT. CARNABY STREET - LONDON - SAME TIME PARKER stops. She holds her MOBILE tighter, unsure if this is a put on... PARKER CAPLANI (still putting pieces together) Oh my god. You’re on whatever’s gone on at Vauxhall, aren’t you? 33 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY TENNANT Whatever's gone on is worse than you've heard ... 34 EXT. CARNABY STREET - LONDON - SAME TIME AMY TENNANT (ON PHONE) ... There was an explosion.-- PARKER CAPLANI Explosion? At my lab? AMY TENNANT (ON PHONE) I wouldn’t let Natalie Kensington hear you say that. (beat) Listen, emergency protocols have been enacted. PARKER CAPLANI That is not good. Not good at all. (and then) How much air do you have? AMY TENNANT (ON PHONE) Ninety minutes, give or take? 35 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Rhys is messing with the BANDAGE on his arm -- PARKER CAPLANI (ON PHONE) I'm on my way. Taxi! (then, to Amy) How bad are you? Amy watches Rhys cough. AMY TENNANT Rhys sliced his arm pretty badly -- Rhys coughs again, but gestures for the phone. RHYS WAKEFIELD Give it. (taking the phone) Aren’t you supposed to be in [[Vienna->Rhys explains - Original Script]]?

36 INT. CAB / EXT. GREAT MARLBOROUGH STREET - SAME TIME Parker shakes her head. PARKER CAPLANI The hell have you done to my lab? You should’ve called ten seconds after the explosion. Rhys tries to LAUGH. PARKER CAPLANI (CONT’D) You sound like hell. RHYS WAKEFIELD (ON PHONE) You get caught in an explosion and spend 30 minutes breathing electrical smoke. PARKER CAPLANI Amy Tennant’s in the lab with you? How’s that? Two of you... RHYS WAKEFIELD (ON PHONE) Next question. PARKER CAPLANI I’ve seen the news. Is the woman still alive? 37 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Rhys looks over at Clare, barely alive, still being pumped full of fluids to save her life. RHYS WAKEFIELD For now. There were two other doctors in here who died in the explosion. PARKER CAPLANI (ON PHONE) Shit. Okay. Rhys CLICKS the BUTTON to take a NEW X-RAY of Clare. PARKER CAPLANI (ON PHONE) (CONT’D) Okay. Okay. A malfunction exacerbated by heat and smoke. How’d you cut your arm? RHYS WAKEFIELD Clamshell. PARKER CAPLANI (ON PHONE) How were you handling blood work in the lab? Were you in Hazmat suits? Rhys looks over at the QUARANTINE TUBE - still sealed. RHYS WAKEFIELD Yeah. Turns out they blow up too. She’s Kindarian, Parker. He looks up at the new XRAY of Clare’s -- BONES HAVE VISIBLY GROWN and MALFORMED. RHYS WAKEFIELD (CONT’D) Just... get here. Rhys hangs up the phone as the VIDEOSCREEN DINGS. COMPUTER VOICE Incoming call. AMY TENNANT Accept call. NATALIE KENSINGTON POPS UP ON SCREEN. EMILY is NEXT TO HER. EMILY HARRINGTON (ON SCREEN) We’re reaching out to Parker again. RHYS WAKEFIELD Funny. We were able to reach her, no probl-- There’s a COUGH from Clare’s TUBE. She’s conscious again. Does Amy [[go to Clare-A->GO TO CLARE - Original Script]]? Or does she stay on with [[Emily->Stay on with Emily - Scene 117]]?

37 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY races towards Clare. Rhys follows. AMY TENNANT Clare. I’m Amy Tennant - do you remember -- Clare tries to move, reaching for the PROTUSIONS across her body -- trying to speak. AMY TENNANT (CONT’D) I need you to stay still. I think you were injected with something -- (then, after no answer) Please. Just... tell us. We might be able to help you. Clare and Amy look at each other -- desperate. Both afraid. AMY TENNANT Please. I can still fix this. I think this is my work -- Clare removes her OXYGEN MASK for just a moment. CLARE LEE I... Clare reaches up to her SHOULDER -- where a KINDARIAN-COLOURS LOGO -- purple, white, red -- is EMBROIDERED on her SHIRT. She’s losing consciousness again. She drifts. A LOUD THUD, again, above the LAB - startling Amy and Rhys. AMY TENNANT Natalie, there’s something -- someone outside the lab. Does Amy [[look outside the window-A->Look outside the window - Original Script]]? Or does she [[try to wake Clare->Try to Wake Clare - Scene 128]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy looks at Clare, then back at Emily. Amy watches her carefully as she asks -- AMY TENNANT You heard we got Parker? She’s on her way here. Emily smiles briefly. EMILY HARRINGTON Good. I’m so glad. She’ll be an immense help. AMY TENNANT Did you lie about her? EMILY HARRINGTON No. She glances up over the top of her monitor, as though checking to see if someone is there... Emily’s nervous. Emily’s being watched. Emily is most definitely lying. Clare COUGHS AGAIN, then screams. Amy lingers for a second, torn, then MOVES towards [[Clare->GO TO CLARE - Original Script]].

37 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy goes to the TINY WINDOW into the VOID and looks out, but there’s nothing. ON SCREEN: Kensington goes through an iPAD she’s been handed. NATALIE KENSINGTON (ON SCREEN) Amy? Are you feeling all right? AMY TENNANT Did you already send someone down here? NATALIE KENSINGTON (ON SCREEN) Clare was with the international contingent last year with the antimicrobial spray coating for hospital floors and walls -- AMY TENNANT I remember. NATALIE KENSINGTON (ON SCREEN) I did some digging. She still has family in Kindar -- they were part of the assimilation after talks were successful four years ago. AMY TENNANT (Fuck.) Great. NATALIE KENSINGTON (ON SCREEN) She’s been vocal about protesting the Kindarian government’s recent restructuring of their research panels. God, I won’t even go to Kindar. RHYS WAKEFIELD That shit’s dangerous. NATALIE KENSINGTON (ON SCREEN) Her clearance for our lab was left active, we’re not certain how. But that’s how she’s got in. AMY TENNANT What the fuck? You think this was us? This is mine? NATALIE KENSINGTON (ON SCREEN) Amy -- Rhys DISCONNECTS THE CALL. AMY TENNANT What was that? RHYS WAKEFIELD Probably best to not argue with your boss -- AMY TENNANT I’ve said worse to Natalie-- RHYS WAKEFIELD Be mad at the terrorist right now, Amy. Deal with Kensington later. AMY TENNANT Someone must’ve done gotten to her in Lab Seven -- stabbed her with this, she was trying to tell me something earlier... Amy looks over at Rhys. Fuck. AMY TENNANT (CONT’D) We do have the pass codes ... RHYS WAKEFIELD And I still know how to use them. Want to take a look? [[Have Rhys log in as Kensington again-A->Rhys logs in - Original Script]]? Or [[not->Rhys does not log in - Scene 129]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy races to Clare’s TUBE. AMY TENNANT Clare. Who are you working for? (and then) What are you trying to get at? What good does this technology do for you? Who else is after it? RHYS WAKEFIELD Would she have been on the Kensington security cameras? Anything that would have picked up - I don’t know. Emails? Calls? Someone else could've stabbed her with whatever this is -- maybe they'd be on there too? AMY TENNANT (slowly) Only one way to find out. We'll just have to do little hacking, if you're up for it, that is. Rhys grins. RHYS WAKEFIELD You sure you [[want me to->Rhys logs in - Original Script]]? (Going back to Original Script)

37 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY TENNANT I want to see Lab Seven's security footage from earlier today. With a grin, Rhys logs back in, and a SMALLER WINDOW opens on the VIDEOSCREEN: CLARE, TODAY, in LAB ETA. DIGGING AROUND. AMY TENNANT (CONT’D) If Clare’s Kindarian resistance, then why is she wearing a patch with Kindarian colours? RHYS WAKEFIELD (as he sees something) Amy. Amy looks up. OH MY GOD. There, on the SECURITY TAPES -- CLARE, breaking a GLASS REFRIGERATOR PANEL. Grabbing a TEST TUBE. FINDING A NEEDLE. SHE INJECTS HERSELF WITH THE PINK NANOCELLS FLUID. ALL OF IT. On AMY, HORRIFIED -- AMY TENNANT She injected... herself? A rhetorical question, at this point. RHYS WAKEFIELD You’re gonna steal something, it’s not a half bad way to -- (redirecting himself) Why not take the nanocells and run? Get on a plane or something? AMY TENNANT Why head for MI-6? (and then) She thought it was a bioweapon. RHYS WAKEFIELD Couldn’t it be used as one? AMY TENNANT (Yes.) You invent the plane, you also invent the plane crash... As Amy looks at Clare -- Clare’s bones MORPHING. Killing her. COMPUTER VOICE Incoming [[call-A->NATALIE AND EMILY CALL IN - Original Script]].

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy looks at the COMPUTER. AMY TENNANT Don’t log in as her. But -- what else do we know about Kindar? Their scientific fields? RHYS WAKEFIELD I can log in again -- see what we can find. AMY TENNANT If Clare’s been protesting the Kindarian government, why is she wearing Kindarian colours right now? The LAB’S COMPUTER DINGS. COMPUTER VOICE Incoming call. RHYS WAKEFIELD Shit. I had time. AMY TENNANT Don’t do it now! RHYS WAKEFIELD Yeah. Thanks. Accept call. They’re frustrated with each other. This is not going to go [[well->NATALIE AND EMILY CALL IN - Scene 129 B]]

38 INT. NATALIE KENSINGTON’S SUITE - MAIN OFFICE - SAME TIME Natalie and EMILY are waiting to speak to Amy and Rhys. Kensington leans back in her CHAIR. She’s about to ask AMY and RHYS something when -- The DOOR flies open and PARKER CAPLANI walks in. NATALIE KENSINGTON Parker. PARKER CAPLANI Rhys and Amy phoned before you all did, which we’ll discuss later. Time? AMY TENNANT (ON SCREEN) An hour twenty, give or take. PARKER CAPLANI Blueprints? EMILY reaches for them -- Parker SPREADS OUT THE BLUEPRINT, gesturing as she explains: PARKER CAPLANI (CONT’D) All right. They’re in Lab Alpha, here. (for Amy’s benefit) The system registered a threat after the explosion -- it’s designed to go into lockdown until the threat has passed. RHYS WAKEFIELD Even when we die? PARKER CAPLANI And... after. As long as there’s a threat. RHYS WAKEFIELD (ON SCREEN) Awesomesauce. NATALIE KENSINGTON The most destructive pathogens in the world were going to be passing through the lab. The last thing we needed was vulnerability if there was some terrorist hack. Kensington and Emily exchange a look. Parker catches it. Kensington reaches over and CLICKS the [[SCREEN off->Amy and Rhys finally talk - Original Script]].

39 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy stares at the SCREEN. AMY TENNANT What was that? RHYS WAKEFIELD You think they’d get tired of calling and hanging up. I’m gonna take a wild guess they think it was one of us destroyed the lab. AMY TENNANT It wasn’t us! Rhys points to the bodies of Thomas Ryan and Everley North. RHYS WAKEFIELD What about them? I mean, I'd believe anything at this point. AMY TENNANT They wouldn’t have brought a bomb in. RHYS WAKEFIELD (trying to joke) You’ve never blown something up? AMY TENNANT Have you? Suddenly, this isn’t about the LAB anymore. AMY TENNANT (CONT’D) It’s just been rolling off of you all day -- you hate that I’m here. RHYS WAKEFIELD Even if you’re the smartest person in the room -- doesn’t mean you have it right all the time. AMY TENNANT Oh, this from the man who disappeared after I got New York? RHYS WAKEFIELD I'm stuck in here, too. What’s the win for me here? AMY TENNANT You’re an adrenaline junkie. Maybe you wanted to set the fire before you save the princess? It takes everything in him not to lose it. He gestures: Stop. RHYS WAKEFIELD We’re spinning out. (but, one final word) Your metaphor is mixed. You’re no princess in need of saving. AMY TENNANT I heard about your unplanned sabbatical last year in Australia. Jordan said you went a bit crazy. RHYS WAKEFIELD Yeah, they had me on a desk. This pulls Amy up short. AMY TENNANT Collins took you out of the lab? RHYS WAKEFIELD I wasn’t out cavorting with terrorists. Fucking hell, Amy. The VIDEOSCREEN DINGS again. COMPUTER VOICE Incoming call. RHYS WAKEFIELD (to Amy, an olive branch of a joke) I say screw it and we die in here. Does Amy [[react warmly-A->REACT WARMLY - Original Script]] or [[tell Rhys off->Tell Rhys off - Scene 131]]?

39 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy smiles in spite of herself. AMY TENNANT Yeah, no. The SCREEN TURNS ON. Kensington, Parker and Emily. RHYS WAKEFIELD Park, you get us out of here -- we’re even for Sydney, cool? 40 INT. NATALIE KENSINGTON’S SUITE - MAIN OFFICE - SAME TIME Parker nods. PARKER CAPLANI Yeah, just because you pulled me from a burning car one time... NATALIE KENSINGTON Amy, do you have access to temp controls? ON SCREEN, Amy turns to look, then turns back -- AMY TENNANT (ON SCREEN) I think they’re still functional. PARKER CAPLANI I need you to try cooling the lab. The system could be reading residual heat & smoke as a threat. 41 INT. SECURITY LAB ALPHA - MAIN LAB Amy stands there -- Seriously? PARKER CAPLANI (ON SCREEN) A cooler environment will help conserve oxygen, too -- RHYS WAKEFIELD How cold do you really think we can get it in, what? An hour? NATALIE KENSINGTON (ON SCREEN) Humour us. AMY TENNANT Yeah, your system sucks. PARKER CAPLANI (ON SCREEN) Thank you for your feedback. If you’d like to leave a message for your lab designer, please press one. AMY TENNANT Fuck off. PARKER CAPLANI (ON SCREEN) Your message will be delivered as soon as Parker can be reached. With a smile, she clicks the SCREEN OFF. Does Amy [[follow Parker's instructions?->Follow Parker - Original Script]]? or does she [[ignore them->Ignore Parker's Instructions - Scene 132]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy takes a step closer to Rhys. AMY TENNANT Why can’t you take anything seriously? RHYS WAKEFIELD I am taking things seriously! I flew halfway around the damn world so I could be in the same lab as you again! AMY TENNANT What? RHYS WAKEFIELD I told Kensington no until she said you were going to be here for the next couple weeks. AMY TENNANT On what project? RHYS WAKEFIELD I don’t know. There were going to be a lot of zeroes after it. And you. And I’m never better than when I’m going up against you - though now that I might die, I think I might have gone a bit off -- AMY TENNANT Rhys. RHYS WAKEFIELD She said something about assessing production capabilities on an antibiotic run. AMY TENNANT You just follow the money. RHYS WAKEFIELD Something like [[that->REACT WARMLY - Original Script]].

41 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy finds the TEMPERATURE CONTROL SCREEN. It's on the wall near the corner where some debris is blocking it AMY TENNANT Parker thinks we’re going to lose hope. She wants the temperature dropped, fine. Rhys motions to a CONTROL SCREEN near the CEILING. Come on. Amy climbs on a piece of cabinet to reach the screen She accesses it and drops it to 5*C.-- AMY TENNANT (CONT’D) That should give us a few more minutes of air at the very least -- even if she is just trying to keep us busy... And her FOOT SLIPS -- RHYS half-catches AMY -- AMY TENNANT (CONT'D) Swear to God, you say one word... She brushes her neck and shoulder, where a BRUISE BLOOMS. There's a BEAT of awkwardness. Amy speaks to breka the tension. AMY TENNANT (CONT'D) Did you really pull Parker out of a burning car? RHYS WAKEFIELD You save someone’s life one time, they never let you forget it. AMY TENNANT What happened? RHYS WAKEFIELD There was six of us, all out at dinner one night. Some drunk driver smashed into us -- Parker kept saying we should have taken the Sydney Metro -- Amy freezes. A thought has occurred to her -- RHYS WAKEFIELD (CONT’D) What? AMY TENNANT Hold on. RHYS WAKEFIELD Amy. AMY TENNANT Oh my god. Could we -- no. Would that work? Don’t you see? I mean, it’s crazy. It would be crazy. Probably not - from earlier. Don’t you see? She’s grinning - and Rhys does NOT see. RHYS WAKEFIELD Talk to [[me-A->Amy's New Plan - Original Script]].

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy looks at the SHATTERED TEMPERATURE CONTROL SCREEN. It’s SHATTERED. AMY TENNANT Parker thinks we’re going to lose hope. RHYS WAKEFIELD Caught that. She turns and starts digging through one of the BROKEN CABINETS. She pulls out a FIRE AXE. RHYS WAKEFIELD (CONT’D) What are you doing? AMY TENNANT You really pull Parker out of a burning car? RHYS WAKEFIELD Yeah. AMY TENNANT What happened? Rhys stares at the AXE, as Amy looks around. RHYS WAKEFIELD (still watching the AXE) There were six of us, all out at dinner one night - some drink driver smashed into us -- Parker kept saying we should’ve taken the Sydney Metro -- AMY TENNANT Yeah? She SCREAMS, CHOKES UP on the AXE and takes a SWING at the DOOR. It bounces off HARMLESSLY. She screams AGAIN and SWINGS AGAIN, releasing fear and terror. The AXE still bounces of HARMLESSLY. NO marks. No damage. She SCREAMS AGAIN. AMY TENNANT (CONT’D) I am not losing hope. But I am not fucking adjusting the temperature so they all feel better about themselves. RHYS WAKEFIELD Hand it over. Amy hands the AXE to RHYS. AMY TENNANT It’s cathartic. RHYS WAKEFIELD Yeah. He gears up to take a swing -- AMY TENNANT Wait! Oh my god. RHYS WAKEFIELD (freezing with the AXE) What? AMY TENNANT What did you say? Rhys lowers the axe. RHYS WAKEFIELD Don’t do that! AMY TENNANT Don’t you -- could we -- no. Would that work? It would be crazy -- from earlier. Don’t you see? She’s grinning -- and Rhys does NOT see. RHYS WAKEFIELD Talk to [[me-A->Amy's New Plan - Original Script]].

41 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY TENNANT Are you in? RHYS WAKEFIELD (Yes.) We’re in a lab filled with chemicals, and we’re both pretty solid on general chemistry. A FLASH: An EXPLOSION blowing a hole in a wall. Amy and Rhys climbing down through the hole - trying not to plummet 15 metres straight down. AMY TENNANT Let’s make a bomb. So far, it’s the only strand of hope they’ve had. A FLASH: Rhys and Amy in the ceiling rubble of an Underground Station - alive and free. RHYS WAKEFIELD Tube across London wins every time. Fuck yeah. He walks [[over to->INTENSIVE LAB - Original Script]] --

42 INT. SECURITY LAB ALPHA - INTENSIVE LAB - CONTINUOUS Rhys walks over, just outside the INTENSIVE LAB. The LAB PHONE RINGS. Amy walks towards it. She picks up without saying anything. NATALIE KENSINGTON (O.S.) Amy, am I on speaker right now? Does Amy [[put Kensington on speaker phone so Rhys can hear->Put Kensington On - Scene 134]] or [[let Rhys keep working->Private Amy/Natalie Conversation - Original Script]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy puts Kensington on speakerphone. AMY TENNANT You're on with both of us, Natalie. There's a half-second of pause from the other side. Kensington is annoyed, but she recovers. NATALIE KENSINGTON (O.S.) This is probably best that you both hear this. (and then) We’re hosting the UN team that went in, in the aftermath of the Kindar Incident. AMY TENNANT (No fucking way.) The UN being here is your crowning moment. You think someone's trying to keep them out? NATALIE KENSINGTON (O.S.) People do crazy things. AMY TENNANT People think Kindar used chemical weapons on their own citizens. Why wouldn’t Rhys want that out in the open? What kind of monsters do you have to be to use chemical weapons? NATALIE KENSINGTON (O.S.) If a UN team doesn’t feel safe here, what company will they go to next? Who gets the UN contracts? Amy and Rhys exchange a look. This isn't good. NATALIE KENSINGTON (O.S.) (CONT’D) The Kindarian government is livid that we got a team in there to deal with the chemical weapons -- they wanted to cover it up. What if they send someone after us? There’s another THUD -- and Amy grows more afraid. NATALIE KENSINGTON (O.S.) (CONT’D) No one will come if they think there’s a terrorist attack waiting. Amy, after everything we’ve been through -- please just help me. This is the question -- who to trust? AMY TENNANT You’ve always been there for me. But RHYS LOOKS OVER AT AMY. He gestures: You all right? Now he’s the one there for her. She NODS. NATALIE KENSINGTON (O.S.) This is your work, Amy. Your nanocells. You recognised them the moment you saw Clare on the street. Amy doesn’t answer, but we can see from her reaction: Yes. It feels like she’s being blamed for a terrorist attack. NATALIE KENSINGTON (O.S.) (CONT’D) This has been five years of our lives. We’re so close... AMY TENNANT She injected herself with everything. NATALIE KENSINGTON (O.S.) We’re not the only country trying for nanocells -- it would make sense that Clare would steal all of it to set us back years. AMY TENNANT And you don’t want to explain why we lost SpaceX Mars money. NATALIE KENSINGTON (O.S.) This could be your one shot to prove yourself, Amy. It’s what you’ve always wanted. AMY TENNANT But this... NATALIE KENSINGTON (O.S.) No one took you and I seriously as scientists, as futurists. They still see us as little girls playing around with my father’s money. They don’t think we earned it, that we’ve fought every step. Something about this hits Amy at a core level. She's embarrased in front of Rhys. He takes a step closer to her, but he doesn't step up to protect her from Kensington's painful takedown. There’s a LOW RUMBLE -- the SOUND OF SOMETHING HITTING THE OUTSIDE WALL. Like small, repeated EXPLOSIONS. AMY TENNANT Natalie, is someone trying to get in from the outside? NATALIE KENSINGTON (O.S.) Everything’s fine. Don’t worry. I'd imagine you two have some things you need to work out -- if this is one of you... Rhys leans over, HANGS UP THE PHONE. But her words have left a mark. The damage is done. This leads to [[trusting->Trust Kensington about Rhys' loyalties - Scene 135]] Kensington's views on Rhys...

42 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy’s eyes flick to Rhys. He’s COUGHING from the smoke. AMY TENNANT You’re not on speaker. NATALIE KENSINGTON (O.S.) Security cameras. Amy looks up at the SECURITY CAMERAS, their LIGHTS ON. NATALIE KENSINGTON (O.S.) (CONT’D) We’re just not quite sure where Rhys’ head is at the moment. AMY TENNANT All right. NATALIE KENSINGTON (O.S.) What if he’s trying to make a name for himself -- setting the house on fire, rushing into save it? AMY TENNANT What? NATALIE KENSINGTON (O.S.) We’re hosting the UN team that went in, in the aftermath of the Kindar Incident. AMY TENNANT (No fucking way.) The UN here is your crowning moment, but you seriously think Rhys’s trying to keep the UN out? NATALIE KENSINGTON (O.S.) People do crazy things. I know he’s tried to be positive about his sabbatical last year, but -- AMY TENNANT Kindar used chemical weapons on their own citizens, four years into being a country. Why wouldn’t Rhys want that out in the open? What kind of monsters do you have to be to use chemical weapons? NATALIE KENSINGTON (O.S.) If a UN team doesn’t feel safe here, what company will they go to next? Who gets the UN contracts? The weight of the world hangs on Amy as she watches Rhys. NATALIE KENSINGTON (O.S.) (CONT’D) The Kindarian government is livid that we got a team in there to deal with the chemical weapons -- they wanted to cover it up. What if they send someone after us? There’s another THUD -- and Amy grows more afraid. NATALIE KENSINGTON (O.S.) (CONT’D) No one will come if they think there’s a terrorist attack waiting. Amy, after everything we’ve been through --help me. This is the question -- who to trust? AMY TENNANT You’ve always been there for me, Nat. But RHYS LOOKS OVER AT AMY. He gestures: You all right? Now he’s the one there for her. She NODS. He continues working. NATALIE KENSINGTON (O.S.) This is your work, Amy. Your nanocells. You recognised them the moment you saw Clare on the street. Amy doesn’t answer, but we can see from her reaction: Yes. It almost feels like she’s being blamed for a terrorist attack. AMY TENNANT You knew when I walked in here! I couldn’t sort out why you’d pulled me from the presentation -- NATALIE KENSINGTON (O.S.) We can’t start over. This has been five years of our lives. AMY TENNANT She injected herself with everything. We figured it out. NATALIE KENSINGTON (O.S.) We’re not the only country trying for nanocells -- AMY TENNANT Rhys and I figured it out. Rhys and I. The phrasing hangs in Amy’s mind. NATALIE KENSINGTON (O.S.) It would make sense that Clare would steal all of it to set us back years. AMY TENNANT And you don’t want to explain why we lost that SpaceX Mars money. NATALIE KENSINGTON (O.S.) This could be your one shot to prove yourself, Amy. It’s what you’ve always wanted. AMY TENNANT But this... NATALIE KENSINGTON (O.S.) No one took you and I seriously as scientists, as futurists. They still see us as little girls playing around with my father’s money. They don’t think we earned it, that we’ve fought every step. Something about this hits Amy at a core level. There’s a LOW RUMBLE -- the SOUND OF SOMETHING HITTING THE OUTSIDE WALL. Like small, repeated EXPLOSIONS. Does Amy [[trust Kensington about Rhys->Trust Kensington about Rhys' loyalties - Scene 135]]? Or does Amy [[not trust her-A->Don't trust Kensington about Rhys - Original Script]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME. There’s another EXPLOSION outside, LOUDER this time. AMY TENNANT (CONT’D) Something’s out there. Rhys pulls up the SECURITY CAMERAS and they BOTH FREEZE. There, in the VACUUM, wearing FULL PRESSURISED SUITS -- TWO SOLDIERS, MERCENARIES (a man and a woman). They are carefully, methodically chipping away at the WALL OUTSIDE. Wait - THREE SOLDIERS. Another MAN moves in the darkness near the DOOR of the LIFT, guarding the bottleneck should anyone decide to fight them. Eagle-eyed viewers will note WE’VE SEEN THEM BEFORE, in the Kensington Complex foyer, and Amy mistook them for SECURITY. AMY TENNANT (CONT’D) They were upstairs in the foyer when we got here. (realising) They had Kindarian colours on. RHYS WAKEFIELD Kensington has to be able to see them too. One MERCENARY DROPS an OXYGEN TANK (to facilitate the explosions), and the other drops light piece of TUBING. They fall to the ground at the exact same speed. Vacuums and all... AMY TENNANT Did she send them? RHYS WAKEFIELD Fuck. Changed my mind. I’d like to stay in this lab for all eternity. AMY TENNANT (doing the math) Radius of a hundred, thirty one thousand four hundred, twenty five foot ceiling -- that’s seven hundred eighty five thousand cubic feet of no air. They get through that wall, there won’t be enough air for any of us to breathe. RHYS WAKEFIELD Why are they coming to kill us? AMY TENNANT (looking at Clare) What if they’re coming for her? Natalie thought someone might try - RHYS WAKEFIELD Fuck. It’s them or Clare. AMY TENNANT Let's stand and [[fight->Do You Want a Bomb? - Scene 137]], then!

42 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY TENNANT Natalie, is someone trying to get in from the outside? There’s no answer, so Amy HANGS UP THE PHONE, hard. AMY TENNANT (CONT’D) Fuck that. (and then) Are there security cameras in the hundred feet of The Void? She’s got ‘em in here. There’s another EXPLOSION outside, LOUDER this time. AMY TENNANT (CONT’D) Something’s out there. Rhys pulls up the SECURITY CAMERAS and they BOTH FREEZE. There, in the VACUUM, wearing FULL PRESSURISED SUITS -- TWO SOLDIERS, MERCENARIES (a man and a woman). They are carefully, methodically chipping away at the WALL OUTSIDE. Eagle-eyed viewers will note WE’VE SEEN THEM BEFORE, in the Kensington Complex foyer, and Amy mistook them for SECURITY. AMY TENNANT (CONT’D) They were upstairs in the foyer when we got here, with Emily. (realising) They had Kindarian colours on. One MERCENARY DROPS an OXYGEN TANK (to facilitate explosions). The other drops light piece of TUBING. They fall to the ground at the exact same speed. Vacuums and all... RHYS WAKEFIELD Did Kensington send them? AMY TENNANT Starting to think so. RHYS WAKEFIELD Fuck. Changed my mind. I’d like to stay in this lab for all eternity. AMY TENNANT (doing the math) Radius of a hundred, thirty one thousand four hundred, twenty five foot ceiling -- that’s seven hundred eighty five thousand cubic feet of no air. They get through that wall, there won’t be enough air for any of us to breathe. RHYS WAKEFIELD Fuck. It’s them or Clare. Who do we focus on? Does Amy [[focus on the mercenaries->FOCUS ON MERCENARIES - Scene 136]]? Or does she [[focus on Clare-A->FOCUS ON CLARE - Original Script]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy nods. AMY TENNANT Clare is stable for the moment. Are there weapons in here? Guns? Rhys looks around the lab. No. RHYS WAKEFIELD Besides the bomb we keep talking about? AMY TENNANT I’m going to fight if they make it in here. RHYS WAKEFIELD Nobody worry about the lack of oxygen... Amy finds the FIRE AXE and takes a few graceful swings with it. RHYS WAKEFIELD (CONT’D) I feel safer already. AMY TENNANT I'm not so sure I do. Amy walks to the [[WINDOW->Amy goes to the WINDOW - Scene 139]]...

42 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME As Amy puts pieces together, she focuses on Clare -- AMY TENNANT There's nothing we can do about them at the moment. Pull up the footage of Clare in Lab Seven again. ON SCREEN: CLARE, IN LAB SEVEN, INJECTING HERSELF. AMY TENNANT (CONT’D) Before this. Go. Go. Rhys rewinds the footage. ON SCREEN: CLARE, AT A TERMINAL. AMY TENNANT (CONT’D) There. She leans into the footage, watching as CLARE DELETES FILE AFTER FILE. SHE WALKS TO THE REFRIGERATOR STORAGE, BREAKS IN. FINDS A NEEDLE... RHYS WAKEFIELD This was today? AMY TENNANT (looking at the time code) Yeah. Five hours ago. She TYPES in her PERSONAL PASSCODE. Her PERSONAL SERVER is EMPTY. Amy RACES TO CLARE. AMY TENNANT (CONT’D) Why did you take everything? Clare coughs again. Tries to remove her mask. CLARE LEE I did... She trails off. Amy glances at Rhys, then back at Clare. AMY TENNANT These are my nanocells in Clare. This is my work, my fault. This was my one chance to prove myself, and I’m going to fail her... She races over -- 43 INT. SECURITY LAB ALPHA - MAIN LAB - CONTINUOUS -- by the Main Lab’s DOOR. She finds the PILES of PAPER she’d brought in from her PRESENTATION earlier. AMY TENNANT Make the [[bomb-A->Make a Bomb - Original Script]] or[[WAIT PATIENTLY]]

43 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY TENNANT (CONT’D) Make the bomb. (and then) Accept call. Rhys grins and leaps into action. How to Make a Bomb in Six Easy Steps. PARKER CAPLANI appears on the VIDEOSCREEN. AMY TENNANT (CONT’D) How deep is Tabitha Greens? PARKER CAPLANI 300 something -- oh, shit. Amy. NATALIE KENSINGTON You can’t go straight down -- AMY TENNANT There are mercenaries in The Void -- pressurised suits, the lot, they’ve set the door on the other side, if you try to get in, they’ll blow it up and kill everyone. They’ve wanted out of the lab so badly, and now all they want is to stay inside. And alive. AMY TENNANT (CONT’D) Help us. [[Please->Natalie and Emily Argue with Amy & Rhys - Original Script]].

44 INT. NATALIE KENSINGTON’S SUITE - MAIN OFFICE - SAME TIME Parker turns to Kensington and EMILY. PARKER CAPLANI I need an Underground Map, somebody way high up in TFL... Holy fucking - Amy Tennant, auditioning for Wonder Woman part 12 right here. Parker clicks her COMPUTER -- ON SCREEN: TABITHA GREENS (ABANDONED) STATION INFORMATION. EMILY HARRINGTON Can they go straight down? PARKER CAPLANI 110 metres, something... (finding it) 368 feet. They’re only about eight feet above the top of the Tube station. RHYS WAKEFIELD (ON SCREEN) Eight feet is a shit ton to blast, but we’ll give it a go. NATALIE KENSINGTON Blast? How are you ..? There's no ordinance down there. PARKER CAPLANI It’s Rhys. I'm sure he knows a thing or two about making explosives ... He's a big fan of MacGuyver. RHYS WAKEFIELD (ON SCREEN) Damn skippy. NATALIE KENSINGTON Is this even possible? PARKER CAPLANI The lab was built to keep things in, but we were thinking microbial barriers, not explosives, and you’ve got fucking ninjas in your magnetised vacuum -- NATALIE KENSINGTON Amy. You could both end up dead. PARKER CAPLANI I think they’re cool with that. Out in a blaze of glory and all that. RHYS WAKEFIELD (ON SCREEN) You left toluene and nitroglycerine down there, what do you expect sticking a couple functional chemists in your basement? EMILY is sketching math problems on a piece of paper -- EMILY HARRINGTON Amy, the physics don’t work here. There's no way to direct a blast through that much concrete. You'll end up just blowing up the whole lab. An IDEA occurs to Parker -- PARKER CAPLANI Wait! I think I can do this another way. I’m need a hardline. We’re going to 90’s internet this shit. AMY TENNANT (ON SCREEN) How? PARKER CAPLANI Security in the lab is built on a repeating loop. Passwords assigned on a random basis, full security upgrades done at untimed intervals -- a random number generator that gives a number every twelve seconds, except when it goes for 10 or 29 on another random loop. And when that number has any combination of a 3, a 5 or a 9 -- (and then, realising) I know. I know. Skip to the end. Deep breath. PARKER CAPLANI (CONT’D) I think I can force it into a full security upgrade. We’ll unplug the lab, then plug it back in. NATALIE KENSINGTON You programmed a back door in without telling me? AMY TENNANT (ON SCREEN) Someone’s hacking your lab, I seriously doubt their first move’s going to be upgrading the security. She’s got a point. RHYS WAKEFIELD (ON SCREEN) We do still have someone else down here in the Void trying to open the doors -- I don’t particularly want to make it easy on them. ON SCREEN -- we see the INTENSIVE LAB HISS OPEN -- SUCCESS! AMY TENNANT (ON SCREEN) I’ve [[got it->Amy & Rhys Have It Out - Original Script]].

45 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY stands by Clare’s QUARANTINE TUBE. Clare coughs, a DEATH RATTLE. Her EYES BRIGHT RED, filled with BLOOD. Her BODY DISTENDED. NATALIE KENSINGTON (ON SCREEN) Stop. You need to think about what you’re doing. AMY TENNANT I am. Clare tries to remove her OXYGEN MASK one more time. She’s DRIVEN. DETERMINED to tell Amy something. CLARE LEE I could not save Mina. NATALIE KENSINGTON (ON SCREEN) Amy. Natalie Kensington throws a GLASS across her office in frustration. Fuck this shit. CLARE LEE I couldn’t save Mina. The simple statement HITS Amy, and for just a moment, she’s purely vulnerable. NATALIE KENSINGTON (ON SCREEN) You think Rhys is there for you, Amy? Rhys’ head snaps up. Amy turns. RHYS WAKEFIELD Say what? NATALIE KENSINGTON (ON SCREEN) You could kill everyone in the building if you blow your way out, Rhys? Convenient for you... 46 INT. NATALIE KENSINGTON’S SUITE - MAIN OFFICE - SAME TIME Natalie Kensington leans towards the screen. NATALIE KENSINGTON I didn’t want you to know this before we had a way out, but I see now that was a mistake. RHYS WAKEFIELD (ON SCREEN) We’re done, Kensingt-- NATALIE KENSINGTON I sent him in there to procure and preserve a sample of the nanocells, Amy, because, frankly, I couldn’t trust you to do it. I thought you might be... distracted. Afraid. AMY TENNANT She’s going to die in here. That’s worth stopping for -- She puts her hand on Clare’s QUARANTINE TUBE, strangely protective. 47 INT. SECURITY LAB ALPHA - NEAR INTENSIVE LAB - SAME TIME Amy looks from the WIDE OPEN INTENSIVE over to Rhys. What? NATALIE KENSINGTON (ON SCREEN) I didn’t know how you’d react -- I know how hard it was for you to watch your brother be sick when you were a kid. How much you took it on yourself. AMY TENNANT (to Rhys) You knew what we were dealing with? From the beginning? RHYS WAKEFIELD “Hey, Rhys, I’m quite afraid I’ve created a contagious bioweapon... help a girl out, would ya?” There are so many shades of complicity. AMY TENNANT There’s a self-regulating mechanism we were trying to build it into -- the biocapsules! RHYS WAKEFIELD Whatever helps you sleep at night. AMY TENNANT They’d be active for six to seven hours at most, and they’d save your life! Then pass harmlessly out of the body as normal cells replace themselves! RHYS WAKEFIELD Well, it fucking doesn’t work and now we’re both going to die in here. Look at her -- hold on. Rhys angrily TURNS OFF THE VIDEOSCREEN. At long last, Rhys and Amy are going to have it out. AMY TENNANT I didn’t do this! We’re not in human trials yet for a reason, you asshole! This is why I stopped thinking about you YEARS ago! RHYS WAKEFIELD Look at her, Amy! You got from zero to functional in less than five years -- I think you are in human trials! AMY TENNANT When Alexandre Gaspard and his team can survive their broken legs in Valles Marineris, you go ahead and ask them if it’s a bio-weapon. RHYS WAKEFIELD You said it yourself. You invent the plane, you also invent the plane crash! Weird metaphor -- Amy digs in a CUPBOARD -- comes up with MATCHES, ISOPROPYL ALCOHOL. Anything to set a BOMB. RHYS WAKEFIELD (CONT’D) I’m trying to get a sample of the nanocells in Clare -- for you! I’m trying to save your research - fuck Kensington! How’s Paul put up with - AMY TENNANT What was her plan here? If these mercenaries wouldn’t have wired a bomb up in here? RHYS WAKEFIELD I left for you! (and then) I’m here to be sure there are extra samples of Clare’s blood and the nanocells, and leave them behind for Kensington to “dispose of”. AMY TENNANT The nanocells would have been inventoried as lab waste, then? She could have used them for anything. Selling them to the highest bidder? What about my life? My work? RHYS WAKEFIELD Or, releasing them somewhere? Smeared across a Tube seat or something? Then she gets to be the white knight and save everyone? I woudn’t have let her do it. Human trials. AMY TENNANT It takes blood contact. The nanotechnology is fused with stem cells, and it pulls heat from your blood in order to work -- Rhys CHUCKS their DESTROYED LAB SUITS into the INTENSIVE. RHYS WAKEFIELD Yeah, well, I’d know that if I was working with you! AMY TENNANT OH MY GOD. You left my life, not the other way around. Paul and I broke up a YEAR AGO, which you’d know had you stuck around. Rhys stops short. He coughs, sits. He rubs his eye painfully, and it’s RED when he pulls his hand away. RHYS WAKEFIELD I left for you! AMY TENNANT No one is that fucking altruistic! You left so YOU wouldn’t get hurt. An ALARM goes off with CLARE -- she SCREAMS HORRENDOUSLY. AMY TENNANT (CONT’D) FUCK! RHYS WAKEFIELD Amy, she’s going to die soon... can’t we give her something more for the pain? She’s not going to be able to answer questions like this... AMY TENNANT Then ask her now. Amy goes to Clare’s QUARANTINE TUBE -- AMY TENNANT (CONT’D) What is that patch? I’ve seen it before. The leader of Kindar -- Clare TAPS her Kindarian colours once more. CLARE LEE Mina. Amy goes to the SECURITY TERMINAL ONE MORE TIME. Does Amy [[search for the Kindarian leader-A->Search For Kindarian - Original Script]] or [[search for Mina->Search For Mina - Scene 138]] or [[remind Rhys there is no time->NO TIME - Scene 138 B]]?

47 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy SEARCHES THE DATABASE for KINDARIAN LEADER -- and an IMAGE of A MAN comes up -- with a MATCHING KINDARIAN LOGO on his shoulder -- RED, WHITE, PURPLE. He’s meeting with the KENSINGTON COMPLEX TEAM -- including EMILY HARRINGTON. AMY TENNANT (Oh, shit.) Emily took that other photo. Amy notices something else -- the LOGO on his SHOULDER. AMY TENNANT (CONT’D) See? Wait... She looks closer. The COLOURS ARE REVERSED on Clare’s PATCH. AMY TENNANT (CONT’D) Clare’s patch is the Kindarian resistance. Look - the order -- FLASH: Amy, getting pulled out of her PRESENTATION, and a KOREAN MAN handing Amy the piece of PAPER. She opens the PAPER -- and it’s a PHOTO of CLARE and her SISTER MINA five years ago. Their NAMES are UNDERNEATH -- it was taken from an MI-6 FILE. A NOTE - MINA LEE: PRESUMED DEAD IN THE KINDAR INCIDENT. 24/1/2018. MINA has a matching PATCH with CLARE in the PHOTO -- PURPLE, WHITE, RED. Amy races over to Clare’s TUBE. AMY TENNANT (CONT’D) Your sister died in the Kindar Incident? How? (trying to work it out) But why would you try to take out MI-6? They were trying to help -- Amy stops. She sees on the NOTE: ABNORMAL BONE GROWTH. An IMAGE of a DEAD MINA, her ARM and FACE DISTENDED. And the DATE: 24/1/2018. AMY TENNANT (CONT’D) Oh my god. January. February. Kensington sent Emily in your place. FLASH: AMY, telling Emily, I know you do exactly what Kensington tells you to do. Rhys takes a step towards Amy. AMY TENNANT (CONT’D) All those tiny fundraisers that raised millions. Her insistence in February that we come up with another safeguard to prevent wild overgrowth. Right after Kindar. (and then) The UN isn’t investigating a chemical weapons attack. They’re dealing with something they’ve never seen before. Rhys goes even paler, if such a thing is possible. AMY TENNANT (CONT’D) (horrified) Kensington was running human trials in Kindar without my involvement. A FLASH: CLARE, trying to make it to MI-6’s front doors. AMY TENNANT (CONT’D) Clare was trying to tell MI-6. Kensington is fighting for her own life, a trapped rat in a submerging cage. AMY TENNANT (CONT’D) It was my work. They all died. RHYS WAKEFIELD You didn’t know... AMY TENNANT I thought the research Natalie was giving me was theoretical, not practical. I am a fucking moron. (handing Rhys the PHOTO of Mina) Plane crash. MINA and her OVERGROWN BONES are a PERFECT MATCH to what’s happening with Clare now. AMY TENNANT (CONT’D) Clare knew what was going to happen to her. Amy hits a BUTTON -- and TAKES ANOTHER X-RAY of CLARE. AMY TENNANT (CONT’D) Clare deleted all my work off Kensington’s servers. She injected herself with everything. To make sure my name wasn’t all over a weapon of mass destruction. To keep it from happening to anyone else. A FLASH: Clare, fighting, dying. RHYS WAKEFIELD Only to show MI-6 what Kensington had been doing... Because MI-6 would take it to the UN. She stares at the final X-RAY -- BONE ENCROACHING on Clare’s HEART. A SCREAM from CLARE -- frustration, anger, pain -- A FLASH: Clare, so close to the entrance of MI-6. An AGONISING BEAT -- as Amy comes face to face with a monster of her own creation. With ONE FINAL SCREAM, CLARE is DEAD, the NANOCELLS having finally overtaken her heart and stopped it cold. Amy moves towards Rhys... AMY TENNANT I stopped asking questions of Natalie. I just... believed her. I knew she wanted to win, but -- RHYS WAKEFIELD So go to war against her. Make sure people know. No time for self-pity. They are fucking going to WAR. Rhys has gathered a collection of LAB CHEMICALS, a mad-scientist glint in his eye. He COUGHS once -- -- and COUGHS again. HARDER. Amy looks up. He COUGHS and pulls his hand away from his mouth. RED. [[Shit - Original Script]]

FLASH: Amy, getting pulled out of her PRESENTATION, and a KOREAN MAN handing Amy the piece of PAPER. INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME She opens the PAPER -- and it’s a PHOTO of CLARE and her SISTER MINA five years ago. Their NAMES are UNDERNEATH -- it was taken from an MI-6 FILE. A NOTE - MINA LEE: PRESUMED DEAD IN THE KINDAR INCIDENT. 24/1/2018. MINA has a matching PATCH with CLARE in the PHOTO -- PURPLE, WHITE, RED. Amy races over to Clare’s TUBE. AMY TENNANT (CONT’D) Your sister died in the Kindar Incident? How? (trying to work it out) But why would you try to take out MI-6? They were trying to help -- Amy stops. She sees on the NOTE: ABNORMAL BONE GROWTH. An IMAGE of a DEAD MINA, her ARM and FACE DISTENDED. And the DATE: 24/1/2018. AMY TENNANT (CONT’D) Oh my god. January. February. You sent Emily in your place. FLASH: AMY, telling Emily, I know you do exactly what Kensington tells you to do. RHYS WAKEFIELD What about the [[Kindarian leader->Search For Kindarian - Original Script]]?

47 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy looks through the SMALL WINDOW -- and JUMPS. She’s CENTIMETRES from the FACE of A MERCENARY -- She JUMPS BACK. Death approaches. Rhys looks at Amy. Deep, soul-crushing terror. Something has just occurred to him. Rhys clicks the phone off -- and YELLS. He grabs an EMPTY TEST TUBE off the TABLE, throwing it across the room. He drops to the floor. Amy takes a step towards him. A FLASH: The MERCENARIES in the FOYER, eyes on EMILY, when AMY first walked into the COMPLEX. RHYS WAKEFIELD If they get in here... (and then) They must’ve got in here before we did -- set a bomb, kill us, kidnap Clare back? AMY TENNANT They’re not lab security. They’re making sure Natalie and Emily don’t run while they clean up this mess. A FLASH: One of the MERCENARIES, in the LAB BEFOREHAND, setting a BOMB. AMY TENNANT (CONT’D) They got caught in their own plan. RHYS WAKEFIELD And Kensington? A FLASH: KENSINGTON, MAKING A STIFF DRINK. AMY TENNANT They’re why she’s been afraid. Kindar’s coming after her. After all of us -- steal the nanocells or kill us all trying. Amy walks closer to the CLAMSHELL RHYS slammed into, looking for something -- and she finds it: a tiny, hairline crack. BLOOD SMEARED ACROSS. Just enough to kill someone. Rhys stands, shakily, and continues to move the MATERIALS for a BOMB into the INTENSIVE LAB. RHYS WAKEFIELD I really thought I’d have time for the good stuff in life. Terraced house in Bethnal Green -- AMY TENNANT Please don’t... RHYS WAKEFIELD Probably should have gotten started a bit sooner. Rhys smiles at last. She takes advantage of the soft moment between them -- a question she’s had for years: AMY TENNANT Why did you start hating me? The PHONE RINGS -- neither of them move to answer it. AMY TENNANT (CONT’D) We were so good -- for so long -- RHYS WAKEFIELD When this was over, I was going to ask you to join the NASA project. AMY TENNANT You didn’t need me for that -- RHYS WAKEFIELD Crispr-Cas9 vaccines in microgravity environments? AMY TENNANT We’d have killed each other. RHYS WAKEFIELD Obviously. But you’re my proof NASA doesn’t run on nepotism. Amy reacts, momentarily amused. But still... AMY TENNANT Your brother still likes it there? Amy stands, running her hand along the steel wall. Thinking. Trying to find a way through this for Rhys. RHYS WAKEFIELD It was self-preservation. Amy slows... She’s caught something in RHYS’ eyes. AMY TENNANT What??? Rhys laughs. Self-preservation, indeed. We see it too. AMY TENNANT (CONT’D) Why didn’t you ever tell me? RHYS WAKEFIELD Because I’d always had a thing for you, and you had a thing for Paul. He loves her, and now she knows. RHYS WAKEFIELD (CONT’D) Nanocells and limited air in here, big men out there with explosives, who are also going to kill us. AMY TENNANT Lot of dying. RHYS WAKEFIELD Yeah. So. We’re taking secret option number three. (and then, gesturing) There are two emergency air masks in that lower locker over there. We’re gonna need those if we’re going to survive. He watches the SECURITY FEED of the TWO MERCENARIES TRYING TO GET IN TO KILL ALL THREE OF THEM, SLOWLY AND SURELY... AMY TENNANT What’s your plan here? ONE SECURITY LIGHT BLINKING. One thin layer of protection left. RHYS WAKEFIELD Six years, five months and... (counting in his head) ...eight days. Amy closes her eyes, her heart full. Broken. Alive. AMY TENNANT That was four months before Paul... RHYS WAKEFIELD You and I were going to sit on the steps at the National Gallery and open a bottle of champagne . You and I, and all the stars aligned. People do a lot of crazy things for the person they love, you know? He walks towards the CLAMSHELL and gets even with it. He stares at a TUBE OF BLOOD -- RHYS WAKEFIELD (CONT’D) Fuck you, malfunctioning little bastards. Amy can see him fading. She takes a step towards him. He holds up a hand. No. AMY TENNANT This is my fault. I’m so sorry. I -- RHYS WAKEFIELD Did you just accept responsibility for terrorism and Kensington being insane? Yeah, no. (and then) I mean, holy shit. You need a new best friend. But otherwise not on you. Rhys walks towards the INTENSIVE. He goes out to the MAIN LAB and gingerly pushes the bloody CLAMSHELL CASE into the INTENSIVE LAB. He motions towards several bottles of CHEMICALS. To Amy -- RHYS WAKEFIELD (CONT’D) Grab some of those on your way in here, would ya? [[Amy does-A->Get Pieces for Rhys - Original Script]].

48 INT. SECURITY LAB ALPHA - INTENSIVE LAB - SAME TIME Amy sets the CHEMICALS on the counter in the intensive lab. RHYS WAKEFIELD I’m going to make a quick bomb. It should knock the mercenaries out, and -- oh! We need those air canisters for us -- AMY TENNANT Your lungs explode in a vacuum if they’re full of air. RHYS WAKEFIELD The rush from the air canisters should equalise the pressure for a few seconds -- we just have to get out of The Void, not make it from the moon back to Earth. Amy walks out of the INTENSIVE LAB -- 49 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME There’s the SOUNDS of Rhys moving things in the LAB. Amy digs in the LOCKER and COMES UP WITH TWO AIR MASKS and CANISTERS. AMY TENNANT Got ’em. She TURNS BACK just in time to see RHYS, standing in the INTENSIVE LAB, hitting the TOUCH SCREEN to CLOSE the DOOR. A LOOK crosses his face. Warm, wonderful. We see RHYS’ DAMAGED SUIT and SHATTERED HELMET just behind in the INTENSIVE LAB. The BLOODIED CLAMSHELL CASE sits dead in the centre of the INTENSIVE LAB. He’s been cleaning up. RHYS WAKEFIELD I think you really ought to name your future kid after me. Rhys Evan Wakefield. I don’t care if it’s a girl. AMY TENNANT Oh my god! Parker! Get the intensive door open!!! RHYS WAKEFIELD Hey, I chose this. That’s how you make a life, every single choice along the way. AMY TENNANT (Oh, please... NO!) I fucking hate you. RHYS WAKEFIELD No, you don’t. I’m a hero, remember? (and then, looking at Clare, dead in the tube) If Kensington doesn’t have her, she doesn’t have anything. And neither do the terrorist mercenaries out there. Amy slams her hand against the glass. AMY TENNANT This was my idea to come to this godforsaken lab -- RHYS WAKEFIELD I’m a dead man walking. He puts his RIGHT HAND to the glass between them. The FINAL SECURITY LIGHT GOES OFF -- The MERCENARIES are coming through... RHYS WAKEFIELD This is Kensington’s fault. Not yours. Clare destroyed the research, and I’ll destroy the prototypes. Parker’s gonna reset the lab, you’re gonna be your own damn person and not take the fall for Kensington -- AMY TENNANT Rhys. No. Please don’t do this. Please don’t do this. A moment of peace. I saved you. There’s a DING in the lab. In the BACKGROUND, Parker POPS UP on one of the VIDEOSCREENS. PARKER CAPLANI (ON SCREEN) Lab reset in fifteen seconds... Rhys winks at Amy. RHYS WAKEFIELD (I love you.) You’re gonna be all right, kid. Rhys reaches into his pocket and his face goes blank. AMY TENNANT What? What is it? RHYS WAKEFIELD I'm never as clever as I think I am. Always missing one thing. AMY TENNANT I don't- Rhys points a finger at something past Amy. RHYS WAKEFIELD Can't combust without combustibles. Would you be a darling and hand me those? Amy turns and sees the BOOK OF MATCHES on the counter next to the first aid kit. [[GIVE RHYS THE MATCHES->GIVE MATCHES]] OR [[DON'T DO IT->NO MATCHES - END OF THE WORLD - ENDING 6]]

50 INT. THE VOID - SAME TIME TWIN EXPLOSIONS. The LAB RESETS: one of the MERCENARIES, so close to their goal of Clare, BLOWN BACKWARDS by the concussive force of the AIR RUSHING from the LAB. 51 INT. SECURITY LAB ALPHA - INTENSIVE LAB - SAME TIME FIRE fills the INTENSIVE LAB, contained and cleansing. 51 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy HANGS ON to a TABLE BOLTED TO THE GROUND, BLOWING ALL REMAINING AIR OUT OF HER LUNGS to keep them from exploding. The AIR RUSHES PAST AMY -- her SALIVA BEGINNING TO BOIL in the VACUUM NOW LEFT BEHIND. She FIGHTS TO STAY CONSCIOUS -- but FAILS. FLARE TO [[WHITE->Over White - Original Script]].

53 OVER WHITE A high-pitched ringing sound. FLASHPOPS: BLOOD. RHYS. THE FLOOR OF THE LAB. SCREAMING. Silence. The sound of JAGGED BREATH. In and out. YELLING from somewhere begins to RESOLVE -- 54 INT. SECURITY LAB ALPHA - MAIN LAB - MINUTES LATER We’re curled up in the corner of the HIGH SECURITY LAB. Alive. With Amy. We see the INTENSIVE LAB -- BURNT OUT, NOTHING LEFT BUT FLOOR and THE GLASS. FIRE IS AN INCREDIBLE DECONTAMINANT. Someone in a HAZMAT SUIT reaches us. Reaches her -- it’s PARKER. PARKER CAPLANI Amy, can you hear me? AMY TENNANT (whispering) Hell of a lab you’ve built... PARKER CAPLANI I’ve got to get through this -- make sure the lab’s stable. OTHER VOICE (O.S.) We’ve repressurised the Void for repairs -- we should be able to walk across... Amy looks right past -- WATER and SOOT drip down the DESTROYED INTENSIVE LAB. HAZMAT SUIT Dr. Tennant? You all right? (to SOMEONE ELSE nearby) The two combatants are deceased, ma’am. They were killed by the doors being blown off in the reset. Amy looks up -- KENSINGTON looms over her in a HAZMAT SUIT. FUCK. NATALIE KENSINGTON (to Amy) I just couldn’t bear it if something had happened to you, all our time together... She’s putting on one hell of a show as a distraught and terrified mentor who nearly lost her protégé and friend. Amy WATCHES as the SECURITY CAMERAS in the LAB BLINK OFF, one by one by one. Whatever’s coming next, there will be no witnesses. No evidence left behind. NATALIE KENSINGTON (CONT’D) It’s so brave. Trying to save yourself. Trying to take your name off the nanocells. It’s so futile. AMY TENNANT You were doing human trials in Kindar. You didn’t send a team after the Kindar Incident. They were already there -- you sent EMILY in your place! NATALIE KENSINGTON You loved how fast you could go -- Kensington has been a drowning rat in a submerging cage. And she’s going to make sure Amy goes down with her. She leans in towards Amy, closer. Closer. Dangerous. She looks around for a pillow, a BOTTLE of MORPHINE, anything... But Amy’s lifted her arm and caught the attention of an EMERGENCY WORKER as he walks past. The EMERGENCY WORKER steps in, giving pain meds. Standing by as an unintentional witness. Kensington missed her first chance to END AMY’S LIFE. As the EMERGENCY WORKER starts moving Amy away -- Kensington takes a step back. Waiting to try again. Does Amy [[end the conversation->Don't Tell Kensington Off - Scene 140]] or [[Tell Kensington off-A->Tell Kensington Off - Original Script]]

INT. SECURITY LAB ALPHA - MOMENTS LATER There are ASSISTANTS and LAB WORKERS everywhere. It's almost claustrophobic... Amy slowly begins to put it all together... AMY TENNANT (CONT’D) You sent your own security into the lab to kill us -- Kensington isn’t having it. A FLASH: The THREE MERCENARIES in the FOYER this morning. NATALIE KENSINGTON They weren’t mine. Kindar is a terrorist state. How much more likely is it that Clare was a terrorist? That Kindar sent them after you? This stops Amy. They weren’t yours? NATALIE KENSINGTON (CONT’D) After I’ve done everything for you... I don’t care if you’re -- A FLASH of SOMETHING. Amy NOTICES -- AMY TENNANT Look out! The THIRD FEMALE MERCENARY has GOTTEN THROUGH THE DOOR -- KENSINGTON MOVES, and the MERCENARY just barely misses. Kensington SLAMS HER HAND into the WALL- SHOUTING. A SCUFFLE. EMERGENCY WORKERS and OTHER SECURITY try to take the MERCENARY DOWN. FEMALE MERCENARY For Kindar... The MERCENARY SLICES her OWN THROAT. An ASSISTANT pulls NATALIE KENSINGTON away in terror -- As Amy closes her eyes... [[Amy walks home - Technically Original Script]]

54 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy turns to Kensington. AMY TENNANT (to Kensington) Fuck you. Amy might have just destroyed her own career - and she DOESN’T CARE. What a fucking adrenaline rush that was. Rhys would be so proud of her. AMY TENNANT (CONT’D) You were willing to let us die. Kensington isn’t having it. Had Amy let it go, she could have as well. But now -- A FLASH: The THREE MERCENARIES in the FOYER this morning. NATALIE KENSINGTON They weren’t mine. Kindar is a terrorist state. How much more likely is it that Clare was a terrorist? That Kindar sent them after you? This stops Amy. They weren’t yours? [[Natalie Kensington Reacts - Original Script]]

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY TENNANT What is that? Amy stands, leaving Rhys to haphazardly finish wrapping his own wound up. She goes to the METAL WALL WITH ONE SMALL 30cm-THICK WINDOW where THE DOOR once was. The WINDOW where they check to see if you are DEAD. RHYS WAKEFIELD Can you see anything? We PEER THROUGH THE WINDOW with AMY into -- INT. THE VOID - SAME TIME A WIDE-OPEN VACUUM where nothing lives. Nothing moves. For a moment, we wonder if Amy and Rhys might be hearing things. INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy glances back to Rhys. AMY TENNANT (looking at Rhys tying off his bandage) Sorry. There’s something in the corner of her EYE. She looks back -- And there, in THE VOID -- INT. THE VOID - SAME TIME A SOLDIER, A MERCENARy (male). He's standing by the WALL NEAR THE LIFT, organising materials - an oxygen tank, an acetylene torch. Rescue supplies? We see it when Amy does -- the mercenary is wearing a GUN. AMY TENNANT (O.S.) Shit! The MERCENARY DROPS an OXYGEN TANK (to facilitate the explosions), and the other drops light piece of TUBING. They fall to the ground at the exact same speed. Vacuums and all... AMY TENNANT There’s someone out there -- RHYS WAKEFIELD Someone coming to rescue us? Amy TURNS BACK TO RHYS -- AMY TENNANT Guns still shoot in a vacuum, did you know that? RHYS WAKEFIELD Well, that’s a fucking design flaw. He MOVES TO THE PHONE -- AMY TENNANT Call Kensington. RHYS WAKEFIELD Yeah. He’s DIALING, but STOPS -- then, half jokingly: RHYS WAKEFIELD This isn’t somebody from upstairs coming to finish the job, is it? [[Do you think this is Kensington->ENDING TWO - Kensington? - Scene 108]] or [[This is NOT Kensington this is someone else-> ENDING TWO - Not Kensington? - Scene 109]]

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Is this Kensington, somehow? Rhys HANGS UP THE PHONE. Amy thinks for moment, half paranoia, half exhaustion and fear. AMY TENNANT (Maybe.) Hang up. AMY LOOKS THROUGH THE WINDOW AGAIN -- SHIT! She JUMPS BACK - a second MERCENARY (female) is RIGHT THERE, PEERING IN. He has an OXYGEN MASK ON -- AMY TENNANT (CONT’D) Rhys! Amy realises what the MERCENARY is about to do -- The MERCENARY has lifted the GUN to the WINDOW -- AMY TENNANT (CONT’D) No! No! No! The MERCENARY PULLS THE TRIGGER -- And the GLASS SHATTERS -- The AIR WOOSHES out of the room, racing into the void through a tiny opening not nearly large enough to CRAWL THROUGH. Rhys and Amy are still trapped -- But there is not enough air, and too much Void. Amy and Rhys DROP to the GROUND, SUFFOCATING -- The ALARMS on Clare's TUBE BEEP WILDLY as she dies too -- SMASH TO BLACK. Would you like to [[start over->Opening Scene - Original Script]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Is this Kensington, somehow? Rhys HANGS UP THE PHONE. Amy thinks for moment, half paranoia, half exhaustion and fear. She nods to Clare in the tube. AMY TENNANT No. This is someone coming for her... RHYS WAKEFIELD Trying to clean up their mess? AMY TENNANT To keep her from talking. (carefully, thoughtfully) What if she isn’t a terrorist? Rhys DIALS -- AMY LOOKS THROUGH THE WINDOW AGAIN -- SHIT! She JUMPS BACK - A second MERCENARY (female) is RIGHT THERE, PEERING IN. He has an OXYGEN MASK ON -- AMY TENNANT (CONT’D) Rhys! RHYS HITS an EMERGENCY ALARM BUTTON -- and KLAXON LIGHTS go on on the far side of the VOID. Send in the troops! As SOMEONE UPSTAIRS ANSWERS RHYS’ CALL -- RHYS WAKEFIELD Somebody’s here -- AMY TENNANT They’re Kindarian! RHYS DROPS THE PHONE -- The first MERCENARY goes back towards the LIFT DOOR -- prepped and ready for whatever is coming for them. A KENSINGTON COMPLEX SECURITY TEAM (in OXYGEN MASKS) pours through the OPENING, but it’s TOO LATE. The MERCENARY is immediately shot by the SECURITY TEAM - The other MERCENARY (Female) knows she's doomed. She turns back to the tiny WINDOW. Amy realises what she’s about to do -- The FEMALE MERCENARY has lifted her GUN to the WINDOW -- AMY TENNANT (CONT’D) No! No! No! The FEMALE MERCENARY PULLS THE TRIGGER -- And the GLASS SHATTERS -- The AIR WOOSHES out of the room, racing into the void through a tiny opening not nearly large enough to CRAWL THROUGH. Rhys and Amy are still trapped -- But there is not enough air, and too much Void. Amy and Rhys DROP to the GROUND, SUFFOCATING -- The ALARMS on Clare's TUBE BEEP WILDLY as she dies too -- SMASH TO BLACK. Would you like to [[start over->Opening Scene - Original Script]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY turns to RHYS. AMY TENNANT Paul was... the reason I moved to New York. It was... a lot. RHYS WAKEFIELD I never thought you’d leave London. AMY TENNANT It came as a surprise to me too. RHYS WAKEFIELD Was it a ring? AMY TENNANT Paul and I weren't engaged -- RHYS WAKEFIELD Oh. AMY TENNANT Or, we weren’t when I moved. RHYS WAKEFIELD But you’re back in London again. AMY TENNANT Natalie Kensington makes a persuasive case. We liked the idea of proving people wrong about us. RHYS WAKEFIELD That’s the second time you’ve hinted at that. No one thinks you’re some little girl playing where you don’t belong. Amy softens towards Rhys. Just slightly. AMY TENNANT Yeah. Well. You fight for what you believe in. It helps if you’re not alone. Rhys looks at Clare, there in her TUBE. RHYS WAKEFIELD Do you think she has anyone? AMY TENNANT I don’t know. (and then) For every lone wolf there’s someone else fighting for their loved ones. I don’t remember her mentioning a family. But we only spoke once or twice. Amy ponders this. AMY TENNANT (CONT’D) What if she’s not alone, though? RHYS WAKEFIELD Maybe she was getting paid to do this? Or her family gets paid if she dies? AMY TENNANT No. I mean, here. In London. What if she’s part of a team? What if she’s just the beginning of something? RHYS WAKEFIELD Then we need to know. AMY TENNANT We need her to want to tell us. RHYS WAKEFIELD Morphine? A show of good faith? Does Amy say [[yes->Morphine Second Chance Tag - Scene 113]]? Or [[no->Harsher Line - Scene 114]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY turns to RHYS. She is never going to talk about Paul. Not with Rhys. Maybe not with anyone. AMY TENNANT You think I’d move to New York for a man? RHYS WAKEFIELD I didn’t mean it like that -- AMY TENNANT What? I should stay home? Raise a family? Leave my career to the big boys? RHYS WAKEFIELD Hey, I know you're angry, but don’t take it out on me. You know that’s not what I meant. AMY TENNANT Do you know what it’s like going through a career everyone assumes you’re giving up as soon as you meet the right man? RHYS WAKEFIELD Or lady. AMY TENNANT Has anyone once imagined you’d walk away from your career? RHYS WAKEFIELD I think no one would be crazy enough to marry my ass in the first place -- AMY TENNANT You get all the chances. You can screw up, fail, fight. And you always come back with ‘so much potential’. I fuck one thing up, and they won’t even let me teach chemistry at a secondary school. RHYS WAKEFIELD I’m not actively trying to fuck you over right now. AMY TENNANT Right now. RHYS WAKEFIELD I’m not actively trying to fuck you over. AMY TENNANT I have a life to get to -- God forbid I end up dead here next to you. She says this with such anger that Rhys takes a step back. RHYS WAKEFIELD You don't trust me, do you? Ask your questions, then. He gestures towards [[Clare->Harsher Line - Scene 114]]--

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY turns to RHYS. AMY TENNANT Maybe she’s not alone, and we need to know it. (and then) Or maybe she’s alone -- and giving her a tiny bit of hope is going to be our only way to get to her. RHYS WAKEFIELD Yeah. As he [[waits for Amy ->Give Clare Morphine 1 - Original Script]]... This choice leads you back to the Original script

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME RHYS looks at AMY. RHYS WAKEFIELD She has no morphine. Go. Their conversation is over, for now. On Amy: Fine. She walks over to Clare’s TUBE -- where Clare is visibly distressed and in pain. Amy closes her eyes for a brief second. Actually seeing someone in pain - when she has the ability to ameliorate that pain - is much more difficult than Amy ever imagined. Still. She opens her eyes. AMY TENNANT I know who you are, Clare. I remember meeting you. I need to know what’s happening. I need to understand... RHYS WAKEFIELD Ask her about her intent -- AMY TENNANT (ignoring Rhys) Tell me about the patch on your jacket. They’re Kindarian colours. CLARE LEE Help. Understand -- Clare coughs. AMY TENNANT Are you part of a larger team? Are you just the beginning? RHYS WAKEFIELD Ask who she’s doing this for. (off Amy’s look) Kindar, I know. But friends? Family? AMY TENNANT You put everyone in danger. You were willing to risk the lives of thousands of people on the street -- Clare looks away. Amy HITS the side of the TUBE. AMY TENNANT (CONT’D) Don’t do that! Look at me. (and then) Did you mean for this to happen? Did someone turn on you? We can help if that’s the case -- Clare SCREAMS, in intense pain -- RHYS WAKEFIELD Amy. AMY TENNANT No. I know this kind of technology - She pulls back, as though she was about to reveal something. AMY TENNANT (CONT’D) You have to tell us! It’s just you and me here. That’s it. The rest of your team is -- if someone’s trying to hurt you, they can’t get in -- (and then) But no one else can help you. Just me. So help me. RHYS WAKEFIELD What if we tried -- half a dose? Half the morphine? Enough to take the edge off -- AMY TENNANT I’m not sure if that’s -- RHYS WAKEFIELD Who do you want to be here, Amy? *** NARRATIVE CHOICE HERE *** Half the morphine - in a show of [[grace->Half a Dose - Scene 115]]? Or no [[morphine->No Morphine - Scene 116]]?

55 EXT. AMY’S FLAT - CRAMPTON STREET, KENNINGTON - NIGHT Later that night, bruised and exhausted, but alive... Amy walks down a row of flats -- Big Ben chimes in the distance. NEWS PRESENTER (PRELAP) Natalie Kensington was killed today after an oxygen tank exploded in one of the Kensington Complex’s laboratories... (and then) Emily Harrington, one of Natalie Kensington’s top lieutenants at the lab, was arrested for gross negligence in the explosion... 56 INT. AMY’S FLAT - LOUNGE - NIGHT Amy sits at her desk in her LOUNGE, deep in thought. TV NEWS is on in the background: EXPLOSION AT KENSINGTON LABS CLAIMS FOUNDER’S LIFE. A flash of NATALIE KENSINGTON’S PHOTO. NEWS PRESENTER (ON TV) Three other scientists were also killed in the explosion. Their names have not yet been released pending notification of kin. The cover up is COMPLETE. Amy looks at a FRAMED PHOTO on her desk -- a YOUNGER AMY AND RHYS and their first RESEARCH TEAM from years ago. It’s clear the photo has been there for years. She’s thought of Rhys every single day. And now she’ll never stop. She touches it gently, briefly. She pulls her NECKLACE THUMB DRIVE off her NECKLACE. PLUGS IT INTO HER LAPTOP. Amy still has some of her top-secret NANOCELLS research, hidden away in her flat. Can she bear to destroy her life’s work? Or can she find a way to begin the research anew? The future is now -- and Amy gets to decide what the future looks like. She highlights the files. WOULD YOU LIKE TO DELETE? CHOOSE [[YES->ENDING THREE - YES/NO - Original Script]] or [[NO->ENDING THREE - YES/NO - Original Script]].

56 With Amy's finger hovering over the DELETE KEY, we -- SMASH TO BLACK. Would you like to play [[again->Opening Scene - Original Script]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY TENNANT Half. Give her half. (and then) I can’t watch her in pain. Rhys goes to the TUBE and INJECTS HALF A DOSE OF MORPHINE into Clare’s line. Clare partially relaxes as the MORPHINE hits her system. Amy watches for a moment. AMY TENNANT (CONT’D) Even if she’s a terrorist. (and then) Maybe no one should die in that much pain, even if they deserve it. RHYS WAKEFIELD Mercy is fucking insane. AMY TENNANT You sound like my grandmother. She never shut up about mercy, grace, God looking out for any of us... RHYS WAKEFIELD And she thought it was fucking insane? AMY TENNANT I think that’s what she loved about it. Well, that and some Big Man Upstairs who wasn’t out to end us all. RHYS WAKEFIELD Think he can get us out of here? AMY TENNANT She used to sit in the front row at church with her ginger biscuits, talking back to the pastor. You would’ve liked her. RHYS WAKEFIELD A little old lady who cursed in church? God, why did I never met her? There are SO many reasons for that. AMY TENNANT Anyway. Mercy is fucking insane. But maybe it’ll get us some answers. Amy leans in, TAPS Clare’s TUBE. AMY TENNANT (CONT’D) Clare? No response. AMY TENNANT (CONT’D) Clare? Can you hear me? (and then) Clare, I think if you were trying to hurt someone you would’ve done it already. And you didn’t. So what is this? Clare moans quietly, still in pain. But listening to Amy. AMY TENNANT (CONT’D) We want to help you, but you have to help us in the meantime. Clare’s EYES OPEN. RHYS WAKEFIELD Shit. AMY TENNANT That’s a girl. How can we help you? Come on... (then, gently as possible) Rhys has more morphine if you -- Clare doesn’t even look at Rhys. She fights and tries to remove her oxygen mask. She mumbles something unintelligible, then -- CLARE LEE Dead. RHYS WAKEFIELD We’re dead? We know. CLARE LEE Me. She reaches into her SLEEVE -- and pulls a THUMB DRIVE OUT. She COUGHS, then MOANS AGAIN. CLARE LEE (CONT’D) ...To understand. AMY and RHYS stare at the THUMB DRIVE -- unreachable through an inch of PLASTIC. CLARE LEE (CONT’D) So you understand. Rhys looks at Amy, and off her reaction -- RHYS WAKEFIELD No. We can’t open her tube. We catch what she’s got, we both die. AMY TENNANT We’ve got an hour of air -- RHYS WAKEFIELD Are you willing to die in pain like that? AMY TENNANT What if we stop another attack in London? RHYS WAKEFIELD What if there is no other attack? What if YOU are the attack she’s trying for? As Amy contemplates -- does she [[RISK OPENING CLARE’S TUBE->Risk It - Scene 118]]? Or LEAVE IT CLOSED and [[TRY SOMETHING ELSE->Try Something Else - Scene 119]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy looks at Clare. AMY TENNANT No. RHYS WAKEFIELD Amy. AMY TENNANT No. If we give her morphine, she’ll loop out. Her answers will be pointless anyway. (and then) Fuck. Where is MI-6? Why don’t they have a team here yet? RHYS WAKEFIELD Maybe they do. AMY TENNANT And they haven’t connected with us yet? RHYS WAKEFIELD Maybe they’re organising? AMY TENNANT Maybe they think we’re involved somehow? RHYS WAKEFIELD Still not a terrorist. Amy takes a step away from Rhys. AMY TENNANT God, this all feels pointless. An hour and a half of air, my technology -- (turning towards Clare) I just need to know what happened. Clare taps her KINDARIAN PATCH -- RHYS WAKEFIELD (finally hearing what Amy said) Wait. Yours? Amy looks up from Clare, who is still moaning in pain. AMY TENNANT I think it might be why Natalie called me in for this. RHYS WAKEFIELD Fuck. You did this? I got swept in here because you couldn’t keep your own tech under control? AMY TENNANT I’m not sure it’s mine. But my tech run amok would look something like this -- RHYS WAKEFIELD Did no one ever tell you no? Who was here to stop you? AMY TENNANT I’m not a terrorist either. RHYS WAKEFIELD Fuck that. (and then) This is why you needed me - someone to fight -- AMY TENNANT You? Keeping me from blowing up the world? RHYS WAKEFIELD We were good together and you know it. AMY TENNANT (half ignoring that last statement) I didn’t hand it off to her. (turning to Clare) Who gave this to you? Clare reaches for her mask, fighting. RHYS WAKEFIELD I don’t even care who gave it to her - I care that you made it in the first place. AMY TENNANT This wasn’t what it was meant to do! RHYS WAKEFIELD But it’s what it can do -- CLARE LEE (answering Amy’s question) Me. AMY TENNANT What? RHYS WAKEFIELD Let me do it. Fuck. You know what we’re dealing with. Go try something else -- Amy, frustrated, steps away. She moves towards the TINY WINDOW in the [[DOOR->Amy Turns Away - Scene 126]] --

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME AMY stands over Clare’s ISOLATION TUBE, looking for a way to OPEN IT. RHYS WAKEFIELD There’s a tab underneath, by the green light. AMY TENNANT Anyone ever thought about making these harder to open once they’re sealed? RHYS WAKEFIELD They’re not jail cells. Amy FLIPS THE TAB - and the LIGHT GLOWS GOLD. RHYS WAKEFIELD (CONT’D) Failsafe. Flip it again, and it will open. Amy and Rhys look at each other. AMY TENNANT Funny the insane things you’ll do when you’ve only got an hour left. AMY FLIPS THE TAB -- and the TUBE HISSES, OXYGEN ESCAPING INTO THE ROOM. Clare doesn’t move. Amy REACHES IN and grabs the THUMB DRIVE. RHYS WAKEFIELD God, I hope we didn't just die... AMY TENNANT You couldn’t have tossed this out before they bubbled you? As Amy turns the thumb drive over and over in her hands -- RHYS WAKEFIELD Computers in here are air-gapped, yeah? They’ve never connected to the internet? AMY TENNANT Nothing on here can make the jump to the rest of the Complex’s system. Everything here’s isolated. And she PLUGS IT IN TO ONE OF THE COMPUTERS -- ON SCREEN: TWO VIDEO FILES POP UP. KENSINGTON FILES or MINA FILES AMY TENNANT Oh shit. Look at the file extensions and security on these. It's built with a self-delete. I think we're only going to get to open one of these, if we're lucky. RHYS WAKEFIELD Ok. (and then) Which one? [[KENSINGTON FILE - Scene 120]] or [[MINA FILE - Scene 121]]

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy looks at Clare, her TUBE still beeping, a thin layer of plastic and wiring keeping them safe from whatever’s in Clare’s system. AMY TENNANT We can’t open her tube. RHYS WAKEFIELD (I know.) Safety first. He laughs, just slightly. RHYS WAKEFIELD (CONT’D) Where’s your edge, Tennant? Amy reacts, gently amused. AMY TENNANT Yeah. RHYS WAKEFIELD Well, what next? He COUGHS, trying to clear SMOKE from his LUNGS again. AMY TENNANT Parker? RHYS WAKEFIELD Yeah. That’s what I was thinking. I’ll call her -- AMY moves towards the [[PHONE->Give Clare Morphine 1 - Original Script]] -- Back to Original Script

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy looks at the screen. AMY TENNANT The Kensington Files. She CLICKS -- and a VIDEO POPS UP. AMY TENNANT (CONT’D) Look at the date. This is from two days ago. And as Rhys leans in, we -- WE PUSH INTO: [[THE SCREEN->Actual Kensington File - Scene 120 B]]

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy looks at the screen. AMY TENNANT The Mina file. She CLICKS -- and a VIDEO POPS UP. AMY TENNANT (CONT’D) There’s no date on this one. And as Rhys leans in, we -- WE PUSH [[INTO->Actual Mina File - Scene 121 B]]:

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy steps back -- AMY TENNANT No, no, no! The MERCENARY FIRES THE GUN -- The tiny WINDOW SHATTERS -- The AIR is RUSHING OUT OF THE LAB and RHYS is YELLING -- RHYS WAKEFIELD Blow the air out of your lungs, Amy! The THREE MERCENARIES -- who have been out in the VOID this whole time -- BLOW the DOOR OFF THE LAB, sealed off safety protocols be damned. They HEAD TOWARDS CLARE -- AMY TENNANT They’re here for her work! The TALLEST OF THE THREE MERCENARIES waves the other two around -- breathing from AIR CANISTERS. Rhys races for the CABINET where he saw AIR CANISTERS -- but he’s too late. Amy races for CLARE - trying to save her. Amy HITS A SECURITY ALARM -- dials NATALIE KENSINGTON IN DESPERATION before dropping the PHONE, as she runs out of air -- She GRABS Clare’s THUMB DRIVE, tosses it in with Clare, resealing the TUBE SHUT. Oxygen flows for Clare once again. She’ll have minutes to live. Maybe it will be enough... As the MERCENARIES NEAR -- Rhys moves towards Amy, the air still rushing from the room - pressure equalising with the VOID, with nowhere near enough air for a human to survive on. Rhys and Amy gasp their last breaths -- eyes on CLARE, praying she’ll survive. They look at each OTHER -- SMASH TO BLACK. Would you like to [[try again->Back to Rhys & Amy - Original Script]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy turns back towards Rhys. Willing to risk a conversation with him. AMY TENNANT Hard? You think this is just hard? RHYS WAKEFIELD Tell me how you got here -- AMY TENNANT I don’t know. How do even break into a lab like this? RHYS WAKEFIELD Parker Caplani sucks at her job? AMY TENNANT If only... RHYS WAKEFIELD Does Clare have someone on the inside? He stands - paces. RHYS WAKEFIELD (CONT’D) I mean, think about it. Who could she have here? You said she’d been here with a team? Would her security clearance have stayed active? AMY TENNANT Natalie usually keeps limited teams like that on a daily clearance. The computer would’ve deleted her from the system by the next day. Rhys stops. RHYS WAKEFIELD Since when are you and Natalie Kensington on first names? AMY TENNANT You remember it’s been six years since you and I have spoken, right? On Rhys: Right. Then, deflecting -- RHYS WAKEFIELD What else do we have in here? What’s left? He walks through BROKEN GLASS and METAL, righting CHAIRS, searching through CABINETS. There’s TORN SUITS, CHEMICALS, BUNSEN BURNERS. RHYS WAKEFIELD (CONT’D) We could build a bomb. AMY TENNANT And go out in a blaze of glory. RHYS WAKEFIELD Right? (and then) The walls are several feet of steel and insanity - we don’t have nearly the firepower to get through them. He pulls an ACETYLENE TORCH out of one of the DAMAGED CABINETS. He flicks it on - a tiny WHOOSH - then a BLUE FLAME flashes near his face. AMY TENNANT And the ceiling. RHYS WAKEFIELD Parker and I are going to be having words about why there’s no booze in this whole damn place. He stands -- looks out through the TINY WINDOW into the VOID. INT. THE VOID - SAME TIME He looks up into the rafters of the VOID -- the ceiling of the VACUUM. RHYS WAKEFIELD (O.S.) It’s too bad we can’t crawl out across those. A FLASH: RHYS and AMY, in HAZMAT SUITS and OXYGEN MASKS, crawl 30 feet in the air across a THIN BEAM - as AMY SLIPS... He shivers, as though the thought of losing Amy... RHYS WAKEFIELD (CONT’D) Too much. Amy STARES at the MEDICAL SUPPLIES scattered across the LAB. AMY TENNANT Whatever this is - it’s increasing bone growth, probably bone density. Calcium, magnesium, fuck. I know how to add nutrients into the system, but there’s no reason to strip them out -- RHYS WAKEFIELD Even a diet of zero calcium can take months before it strips too much calcium from your bones -- And you’re sure this isn’t some fast-growing tumour? AMY TENNANT No. Medics on site said it was like fibrous dysplasia - but non-brittle. RHYS WAKEFIELD Tell me how you got here, Amy. Amy pauses. Thinks for a moment. AMY TENNANT Do you know what it’s like to not have to fight for funding anymore? (and then) Funny, I really thought it’d be you and me here. I mean, here London. Here, in a lab. RHYS WAKEFIELD Me too. (and then) Wait. You said Clare was here with another team. Something about a anti-microbial spray for hospital walls? (a long shot) Are there medications we could use to stop her bone growth? Some microbial something... Something that her work - could she help us? AMY TENNANT I don’t know. She turns towards Clare -- [[Clare->Try to Wake Clare - Scene 128]]

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy turns away from Rhys. AMY TENNANT No. She looks out into the VOID -- AMY TENNANT (CONT’D) [[Shit->The Void - Mercenaries Are Caught - Scene 124]]

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME As Amy looks out into -- INT. THE VOID - SAME TIME Amy sees THREE PEOPLE in the VOID -- fully kitted out in pressure suits, oxygen masks, axes -- AMY TENNANT (IN THE WINDOW) Hey! Kindarian FLAGS on their SUITS. A GUN. AMY TENNANT (IN THE WINDOW) (CONT’D) Shit! They look up at Amy. She’s STARTLED THEM. One pulls a [[gun->ENDING FOUR - MERCENARIES ARRIVE TO KILL CLARE - Scene 127]]

29 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME RHYS WAKEFIELD There we go. AMY TENNANT Parker was doing a retrofit for World Health last month -- RHYS WAKEFIELD Good enough. Amy dials. Waits. Then -- RECEPTIONIST (ON PHONE) World Health Organisation. RHYS WAKEFIELD Amy Tennant calling for Parker * Caplani. It's an emergency. RECEPTIONIST (ON PHONE) Just a moment. Rhys paces COUGHING AGAIN. [[A->Meet Parker Caplani - Original Script]].

INT. NATALIE KENSINGTON’S SUITE - MAIN OFFICE - SAME TIME Natalie and EMILY are waiting to speak to Amy and Rhys. Kensington leans back in her CHAIR. She’s about to ask AMY and RHYS something when -- The DOOR flies open and PARKER CAPLANI walks in. NATALIE KENSINGTON Parker. PARKER CAPLANI Rhys and Amy phoned before you all did, which we’ll discuss later. Time? AMY TENNANT (ON SCREEN) An hour twenty, give or take. PARKER CAPLANI Blueprints? EMILY reaches for them -- Parker SPREADS OUT THE BLUEPRINT, gesturing as she explains: PARKER CAPLANI (CONT’D) All right. There’s these three doors here. The metal walls, here, here. They’re in Lab Alpha, here. (for Amy’s benefit) The system registered a threat after the explosion -- it’s designed to go into lockdown until the threat has passed. NATALIE KENSINGTON (to Parker) Is it possible to retrofit a shutdown of these doors? Even in some planets-aligned, one-percent-possibility sort of way? RHYS WAKEFIELD Even when we die? PARKER CAPLANI And... after. As long as there’s a threat. RHYS WAKEFIELD (ON SCREEN) Awesomesauce. NATALIE KENSINGTON The most destructive pathogens in the world were going to be passing through the lab. The last thing we needed was vulnerability if there was some terrorist hack. Kensington and Emily exchange a look. Parker catches it. Kensington reaches over and CLICKS the [[SCREEN off->Amy and Rhys FIGHT - Scene 130]].

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Rhys turns to Amy, who is still staring at the KENSINGTON COMPLEX LOGO on the screen. AMY TENNANT I can’t believe she hung up like that. RHYS WAKEFIELD You should’ve let me hack in. AMY TENNANT No. RHYS WAKEFIELD Why? AMY TENNANT I think technically that might be illegal? A felony? RHYS WAKEFIELD She’d never’ve known. I’m fucking good at this. AMY TENNANT I heard about your unplanned sabbatical last year, and I wasn’t about to -- RHYS WAKEFIELD Yeah. They had me on a desk. AMY TENNANT Collins took you out of the lab? RHYS WAKEFIELD I wasn’t out cavorting with terrorists. Fucking hell, Amy. I booked it to Australia -- what were you doing? Besides cosying up to Natalie Kensington? The VIDEOSCREEN DINGS AGAIN. COMPUTER VOICE Incoming call. RHYS WAKEFIELD / AMY TENNANT Ignore call. AMY TENNANT You want a beach day that’s on you. COMPUTER VOICE Incoming call. RHYS WAKEFIELD I say screw it and we die in here. AMY TENNANT Ignore call. Why can’t you ever take anything [[fucking seriously->Tell Rhys off - Scene 131]]?

41 INT. SECURITY LAB ALPHA - MAIN SCRIPT - SAME TIME AMY TENNANT (CONT’D) You said it. The fucking Tube wins across London every time. The intensive lab! What gets stored in the intensive lab? Exactly. RHYS WAKEFIELD Amy. English. Complete sentences. AMY TENNANT (CONT’D) The intensive. What gets stored there? RHYS WAKEFIELD Specialised equipment. Microscopes, chemicals. What’re you looking for? Amy grabs a PIECE OF PAPER and PEN and starts SKETCHING. AMY TENNANT (drawing a SQUARE) Behold. The lab. She draws a BIGGER CIRCLE AROUND THE SQUARE. AMY TENNANT (CONT’D) We’re surrounded by a vacuum -- The Void -- on four sides, couple feet of of steel. RHYS WAKEFIELD Yeah. So? AMY TENNANT So ... What if we make an escape hatch? RHYS WAKEFIELD If you break through the wall while the vacuum’s engaged, there’s literally not enough air in this lab to fill all the space. Your spit would boil on your tongue right before you suffocated. AMY TENNANT This is true. But I'm not talking about the walls. She draws a big open CIRCLE under the LAB SQUARE. AMY TENNANT (CONT’D) But -- I think we could go down. Off RHYS’ look: Down? AMY TENNANT (CONT’D) This is going to be your favourite bit. What’s the Complex built on? RHYS WAKEFIELD It was an old warehouse. AMY TENNANT And before that? RHYS WAKEFIELD They tried for a train station. (realising) With a Tube stop. AMY TENNANT It’s built over an old, never-used Underground Station for a line that was never built. Tabitha Greens. Plenty of air down there. FLASHPOP: An ABANDONED Underground Station. Tabitha Greens. RHYS WAKEFIELD We’re a hundred metres underground. AMY TENNANT So’s the station. Plus a few more. RHYS WAKEFIELD Fucking hell, Amy. AMY TENNANT You think I should stop? RHYS WAKEFIELD No. I love it. Does Amy invite Rhys into this [[crazy plan-A->Invite Rhys In - Original Script]] or does she do it [[herself->Amy Does It Herself - Scene 133]]

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy nods. AMY TENNANT Thanks for your approval. She walks to the ROWS OF CHEMICALS, trying to figure out how to build a bomb. Rhys just stands back, quietly observing. He could help her - but he knows this isn’t the [[moment->Montage - Scene 133B]]

47 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME It’s completely red. So much blood. RHYS WAKEFIELD Amy, get back from me. Amy realises what’s happening -- races for Clare’s QUARANTINE TUBE. Finds the PRESSURE GAUGE. AMY TENNANT The pressure’s still holding! There’s no leak! What the hell? Were you just going to let me research us to death? This is no biosecurity malfunction locking down the lab post-bombing. AMY TENNANT (CONT’D) (absolute terror) You’re infected too. (Fuck.) You were letting me worry about how much air we had left? A FLASH: Rhys, slamming off Amy’s CLAMSHELL, the nanocells inside. He’s known for a while. RHYS WAKEFIELD I just don’t know how to direct the force of your bomb down quite yet. Amy’s on the PHONE -- watching RHYS COUGH. AMY TENNANT You’ve got what? Five hours? (and then) She thought she could get the nanocells from her blood. She knew. She’s still trying -- Flash: KENSINGTON. "If there are leftover blood samples, leave them in the lab. We can safely destroy them later." Does Amy [[tell Parker-A->Tell Parker - Original Script]]? Or does Amy [[not tell Parker-A->Soft Moment - Original Script]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Rhys and Amy look at each other -- full of so many things they’re thinking, so many things they want to say. But there is so little time. The COMPUTER DINGS. COMPUTER VOICE Incoming call. RHYS WAKEFIELD Do you want the bomb or not? I think I might be able to get us out of here through the floor. Does Amy say [[Yes-A->Make a Bomb - Original Script]]? Or [[No->Amy goes to the WINDOW - Scene 139]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy just can’t fight anymore. She’s so tired. AMY TENNANT No. The COMPUTER DINGS AGAIN. RHYS WAKEFIELD You want to die in here? AMY TENNANT Ignore call. RHYS WAKEFIELD When did you give up? AMY TENNANT I don’t want my last minutes to be arguing with you. I don’t know who to trust anymore. She walks to the [[TINY WINDOW->ENDING FOUR - MERCENARIES ARRIVE TO KILL CLARE - Scene 127]] --

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME In QUICK FLASHES OF A MONTAGE -- Amy finds PAPER and a PEN, works through various CHEMICAL COMPOSITIONS for a BOMB. She digs through the CABINETS, looking for SUPPLIES. She TURNS a RUBBISH BIN UPSIDE DOWN. She digs through the REMAINS OF THE REFRIGERATOR looking for SHARP PIECES. RHYS WAKEFIELD This would be easier if -- AMY TENNANT Do you see a bunsen burner? Where did I put that torch? RHYS WAKEFIELD I can help. AMY TENNANT Weren’t there little oxygen tanks somewhere? The PHONE RINGS. AMY TENNANT (CONT’D) Can you get that? Rhys COUGHS, clearing SMOKE from his LUNGS -- before grabbing the PHONE. RHYS WAKEFIELD Yeah? (listening) It’s for you. Amy looks up. She takes the phone from Rhys. AMY TENNANT [[Hello?->Private Amy/Natalie Conversation - Original Script]]

47 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy DIALS the phone. PARKER answers on the other end of the LINE -- PARKER CAPLANI (O.S.) Amy? Amy’s on the floor -- several feet away from Rhys. AMY TENNANT Rhys is infected -- PARKER CAPLANI (ON PHONE) What? AMY TENNANT We need more help. Another EXPLOSION from outside the lab. Amy SLAMS the PHONE [[DOWN->Soft Moment - Original Script]] --

WELCOME TO THE COMPLEX 13.12.18 <img src="https://www.jlab.org/sites/default/files/images/news/ontarget/tedf1.jpg" width="500" height="300">> Beta Test v2 Please enter the Play Test [[ENTER|Opening Scene - Original Script]]

INT. THE KENSINGTON COMPLEX - AUDITORIUM - DAY Amy turns to Emily, growing frustrated. AMY TENNANT I can’t. This is important. Desperately important. This is the work of Amy’s entire life. Her crowning achievement. She turns back to the INVESTORS, points to one. AMY TENNANT (CONT’D) Yes? INVESTOR Are the nanocells autonomous? Or can they be programmed? AMY TENNANT A bit of both. She CLICKS her COMPUTER and the SCREEN behind her SHIFTS to a CLOSE-UP PHOTO of a NANOCELL. AMY TENNANT (CONT’D) Once injected, they're autonomous, but they are pre-programmed for specific uses such as bone-mending, or targeted cancer treatments -- INVESTOR 2 -What about privacy laws? Won’t they be trackable? INVESTOR Some might consider that a fair trade for a cure for cancer -- Amy reacts, the questions heading in the wrong direction... AMY TENNANT No. They cannot be used as location trackers. We made sure of that to protect the privacy of our customers. INVESTOR 2 That’s what they always say. INVESTOR 3 Unless they can be removed? AMY TENNANT We’ve experienced a 95% successful removal rate in our lab rats and computer models, with the other five percent being lost to white blood cells -- INVESTOR Are they radioactive? AMY TENNANT No.They power themselves using the kinetic energy of body movement. (and then, trying to joke) They don’t come with little battery packs or fusion cores. INVESTOR 3 It’s like static. AMY TENNANT For the purposes of what you’re asking ... yes. But it requires less power than a static charge. INVESTOR 2 Do they relay information out -- take readings and such? Emily takes another step closer. Urgent. AMY TENNANT They are made to be a closed system. No outside readings. Eventually that might be a function- INVESTOR 2 (getting an answer he wants) Which could lead to trackable functionality. A murmur runs through the CROWD as people consider -- EMILY HARRINGTON They’re asking for you. Amy looks at Emily. AMY TENNANT Fine. (and then) Ladies and gentlemen, I do apologise, but I’m being pulled away... (to Emily) Let’s go. Emily checks her mobile. A reaction to her latest round of ORDERS -- EMILY HARRINGTON Natalie's asking us to meet them directly at the lab now. They've left Vauxhall. With the delay - (off Amy's look) I know the presentation was important. We were just trying to get you on site first. AMY TENNANT Who are they moving out of Vauxhall? As they HIT THE DOOR AT A [[RUN->Meet Natalie and Rhys - Original Script]] --

sc 15 cont. RHYS WAKEFIELD (CONT’D) Dr. Tennant, it’s been years. (to Kensington, all the charm) You know you missed me, Kensington. And this is more fun than wingsuit diving. (and then) BBC’s shitting out anthrax reports? What idiot came out with that one? EMILY HARRINGTON I’ve a call. I’ll be back in a few. RHYS WAKEFIELD Was it her? As they walk, a NURSE (50s) meets them with an IPAD of PHOTOS. It’s clear she knows Amy. But she eyes Rhys. NATALIE KENSINGTON He’s with us. RHYS WAKEFIELD (flashing his ID) He’s with MI-6. Dr. Rhys Wakefield. You get the feeling he really likes saying his own name. NURSE CCTV photos and the ambulance drone readouts are in today’s folder. As the NURSE walks away -- RHYS WAKEFIELD Your nurses are getting tougher to impress. We have a name yet? NATALIE KENSINGTON Clare Lee. AMY TENNANT I met - I think she’s Kindarian? (thinking out loud, something about this feels off) She was here a few months ago, a visiting team working on an antibacterial coating for hospital floors -- NATALIE KENSINGTON We’re trying to get travel records for her, any records -- RHYS WAKEFIELD This isn’t something she picked up on holiday. RHYS WAKEFIELD You want to know who she’s working with? Terrorism. AMY TENNANT We tried to run initial blood work from what she coughed up on the street before they heat-sterilised, but didn’t get anything. NATALIE KENSINGTON Bit difficult to come up with anything helpful from heart rate monitors. She leads them through a DOOR, to the bowels of the [[LAB->Kensington Complex Hallway - Original Script]]

16 INT. THE KENSINGTON COMPLEX - SAME TIME Amy turns to Natalie Kensington. AMY TENNANT Why the pseudonym for Clare? They walk to the END of the HALLWAY. KENSINGTON SCANS her HAND. A DOOR opens up into a [[LARGE LIFT->Lift - Original Script]].

INT. THE KENSINGTON COMPLEX - HALLWAY - SAME TIME Amy moves half a step closer to Rhys, watching RICK CREGGS speak on TV: CREGGS (ON TV) -the victim has been transported to a hospital. There is no danger to the wider public -- UNSEEN REPORTER 2 (ON TV) You don’t think there’s danger if a bioweapon -- CREGGS (ON TV) We have contingency plans that will allow us a chance to save Miss Sixsmith’s life while also saving the lives of those she might have put at risk. We have teams in place whose entire lives are set up to fight just such an evil -- Rhys half laughs. RHYS WAKEFIELD Entire lives? I think I might be slacking. AMY TENNANT (I’m trying to listen...) Shut up. RHYS WAKEFIELD He shouldn’t have said evil. AMY TENNANT No. UNSEEN REPORTER (ON TV) Evil? RHYS WAKEFIELD See? UNSEEN REPORTER (ON TV) You don’t think this is an accident? UNSEEN REPORTER 2 (ON TV) Is there connection to Kindar? We’re hearing rumours that Kindar might be gearing up for an attack on sites -- CREGGS (ON TV) Please - let’s not incite panic. UNSEEN REPORTER (ON TV) Evil conveys intention here -- we're using your words. The OTHER REPORTERS AGREE -- and the PRESS CONFERENCE is getting away from Creggs. Quickly. CREGGS (ON TV) We believe there may be a Kindar connection. Yes. As soon as he says it, we can see he regrets it. But it’s too late. AMY TENNANT (Fuck.) Kindar. Come on. We have to go. There's a really fucking good chance she's not working alone. As Amy and Rhys race to a waiting [[Kensington->Continue on - Original Script]] --

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Rhys waits for Amy’s answer -- and she doesn’t even try to answer. Instead - she just RUNS for the PHONE. She dials. Waits. Someone picks up on the OTHER SIDE -- AMY TENNANT Emily -- 105C-1 INT. NATALIE KENSINGTON’S SUITE - EMILY’S OFFICE - SAME TIME Emily Harrington is on the other end of the LINE, standing - going through readouts of the EXPLOSION. EMILY HARRINGTON Check your air systems. I think we might have trouble. Amy drops the phone and runs for the AIR SYSTEMS -- Amy drops the phone and runs for the [[air systems->Check the Air Systems - Original Script]] --

INT. OFFICE SPACE - TWO DAYS AGO A bland, gray OFFICE SPACE - a desk, a few chairs, a book or two. And CLARE LEE -- healthy, dressed in all black -- steps in front of the CAMERA. CLARE LEE My name is Clare Lee, birthdate 5/5, Kindarian citizen, scientist, daughter of Evan and Mee Lee, sister of Mina Lee. CLARE holds up a PHOTO of CLARE and MINA LEE, SMILING, JOYFUL: two sisters out for a NIGHT ON THE TOWN -- CLARE LEE (CONT’D) Mina died the 24th of January this year in the Kindar Incident, which presumably none of you will truly have heard about. Some wild theocrat unleashing chemical weapons on his own people, something like that. Clare drops the PHOTO, and picks up ANOTHER ONE. IN THIS ONE - MINA IS DEAD, ABNORMAL BONE GROWTH stamped across the bottom of the photo. Mina’s ARM and FACE are DISTENDED. CLARE LEE (CONT’D) I tried for three months to sort out if you, Natalie Kensington, were directly responsible -- had you provided your technology to our leader? Or were you indirectly responsible, looking away at a moment most convenient to you so you could claim plausible deniability while endeavouring to get the real-world human testing you wanted before your Mars trip? She drops the photo of MINA. CLARE LEE (CONT’D) And then I realised it didn’t matter one way or another. I just have to stop you. (and then) So, I’m taking your technology from you. If I survive long enough, I’ll make certain MI-6 takes a good look at what you’ve been allowing free in the world. Because Mina should never’ve died. CLARE picks up her PHONE -- CLARE LEE (CONT’D) This is Natalie Kensington - I have provenance for the recording, I can prove that it’s real. I can send it to anyone interested -- She clicks PLAY on a FILE. NATALIE KENSINGTON (RECORDED) You can’t possibly think that I’m going to take the fall for the Kindar Incident - I know there were deaths, but sometimes progress -- UNKNOWN MAN (RECORDED) Natalie -- NATALIE KENSINGTON (RECORDED) Don’t -- UNKNOWN MAN (RECORDED) This is going to haunt you for the rest of your life. NATALIE KENSINGTON (RECORDED) Don’t threaten me. I’ll survive, whatever it takes. Whoever tries to get in my way... UNKNOWN MAN (RECORDED) There were fifty-eight dead there. What’s next? Fifty-eight hundred? NATALIE KENSINGTON (RECORDED) We have a better understanding what we’re working with -- I have a better understanding now. It won’t be that high next time. The AUDIO CLIP ENDS. CLARE LEE I’m going to make sure the world finds out about all of this. CLARE reaches forward to TURN OFF THE CAMERA -- The VIDEO CLIP ENDS, and we SNAP [[BACK TO-> KENSINGTON FILE FALLOUT - Scene 120 C]] --

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Rhys takes a step towards Amy. AMY TENNANT All those tiny fundraisers that raised millions. Natalie’s insistence in February that I come up with another safeguard to prevent wild overgrowth. Right after Kindar... (and then, horrified) She was running human trials without my involvement. Natalie was just a trapped rat in a submerging cage. It was my work... An AGONISING BEAT -- as Amy comes face to face with a monster of her own creation. RHYS WAKEFIELD This wasn’t your fault. AMY TENNANT I was going to let her die -- fuck. The other file's deleted. What other evidence did I delete? She walks towards the WINDOW of the VOID, just trying to gather her thoughts - to look anywhere but Rhys and Clare in the moment. RHYS WAKEFIELD Don’t walk away, Amy. Talk to me. I know (this is hard...) (and then) Don’t avoid me. Let me help. Amy hesitates -- deciding... Does Amy [[turn to Rhys->Amy Turns To Rhys - Scene 123]]? Or does she [[turn away->Amy Turns Away - Scene 126]]?

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy looks at the screen. AMY TENNANT Mum. That was her sister, then? RHYS WAKEFIELD Is that it? Try the other one? Amy clicks over to the KENSINGTON FILE -- And it’s CORRUPTED. And then it deletes itself. AMY TENNANT No!!! Fuck. Come on! RHYS WAKEFIELD What was the point of that one? There wasn’t anything on it.. AMY TENNANT Her motivation? Maybe? RHYS WAKEFIELD That this is family, not... orders? Amy's SO frustrated. RHYS WAKEFIELD This wasn’t your fault. AMY TENNANT I was going to let her die -- fuck. The other file's deleted. What other evidence did I delete? She walks towards the WINDOW of the VOID, just trying to gather her thoughts - to look anywhere but Rhys and Clare in the moment. RHYS WAKEFIELD Don’t walk away, Amy. Talk to me. I know (this is hard...) (and then) Don’t avoid me. Let me help. Amy hesitates -- deciding... Does Amy [[turn to Rhys->Amy Turns To Rhys - Scene 123]]? Or does she [[turn away->Amy Turns Away - Scene 126]]?

EXT. GARDEN SPACE - MOBILE PHONE VIDEO - DAY It’s a GORGEOUS DAY in a SMALL PUBLIC GARDEN SPACE SOMEWHERE. MINA (26, in a sundress) LAUGHS. MINA LEE You’ve forgot the wine, but you’ve remembered your mobile? I see your priorities... The VIDEO SWITCHES - and we’re looking at CLARE’S FACE (a few years younger than we’ve seen her, more carefree) up close. CLARE LEE Yeah, that’s me she’s mad at. The VIDEO SWITCHES BACK -- and Mina leans into the CAMERA. MINA LEE Clare’s got it. We’ll be fine. We miss you, Mum! As Mina and Clare both laugh -- The VIDEO ENDS, and we SNAP [[KENSINGTON FILE Deleted - Scene 121 C]] --

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy shakes her head. AMY TENNANT Rhys. We are running out of air - we need to prioritise here. RHYS WAKEFIELD I -- He coughs. RHYS WAKEFIELD (CONT’D) I know. He COUGHS AGAIN. This time, when he pulls his HAND back, there is SO MUCH BLOOD. RHYS WAKEFIELD (CONT’D) You might want to step back. [[Shit->Shit - Original Script]].

54 INT. SECURITY LAB ALPHA - SAME TIME Amy looks at Kensington -- NATALIE KENSINGTON (CONT’D) After I’ve done everything for you... I’d -- you still trusted Rhys over me. What a disappointment he turned out to be. Amy sees a FLASH of a NEEDLE - Does Amy [[grab the needle-> Needle - Original Script]] or [[Wait Five Seconds to Hear about Rhys->ENDING FIVE - Natalie - Scene 143]]?

54 INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy sees a FLASH of a NEEDLE - and tries to GRAB IT. She BELIEVES IN RHYS. AMY TENNANT Fuck -- HELP! Amy GRABS the NEEDLE and tosses it CLEAR from KENSINGTON. A FLASH of SOMETHING. Kensington SLAMS HER HAND into the WALL - She DROPS, BLOOD SPURTING OUT HER BACK, through the HAZMAT SUIT. The THIRD FEMALE MERCENARY has GOTTEN THROUGH THE DOOR -- and has STABBED KENSINGTON. SHOUTING. A SCUFFLE. EMERGENCY WORKERS and OTHER SECURITY try to take the MERCENARY DOWN. FEMALE MERCENARY For Kindar... The MERCENARY SLICES her OWN THROAT. She’s dead, blood pooling -- alongside Natalie Kensington. There will be no evidence. No one was watching Kensington. As Amy [[closes her eyes->Amy walks home - Technically Original Script]]...

INT. SECURITY LAB ALPHA - MAIN LAB - SAME TIME Amy looks at Kensington -- AMY TENNANT What about Rhys? He was a good man - Unseen by anyone except Amy - Natalie Kensington slides a SYRINGE NEEDLE into AMY’S ARM. Pushes the PLUNGER in. Amy reacts, in pain, realising -- She gave her friend Natalie too much time while she talked. Amy knows too much. She sees her mistake now. She’s going to die here. As Amy’s EYES flutter shut... We hear the HIGH-PITCHED WHISTLE of a HEART ALARM -- SMASH TO BLACK. Would you like to [[try again->Back to Rhys & Amy - Original Script]]?

3 INT. LONDON EVENT SPACE - DAY - CONTINUOUS Amy is annoyed, but she engages. Better to put on a calm, unflappable demeanor for potential investors. AMY TENNANT Yes? PROTESTOR How can you stand there in your nice little suit and smile through a presentation when you are openly working with a country like Kindar, a country willing to risk its own citizens without -- AMY TENNANT Thank you for your question -- PROTESTOR -- without regard to their livelihoods or well-being? AMY TENNANT Kindar, while admittedly a country in the midst of growing pains, has been an incredible partner for the Kensington Complex. Kindarian scientists have teamed up with us on so many of the projects we’re talking about here today -- projects that will change the direction of our future. Honestly, we’d be lost without their continued support and expertise. A SECURITY TEAM has to come escort the PROTESTOR out -- The HORRIFYING SOUND of a BLOOD-CURDLING SCREAM prelaps -- [[Vauxhall - Meet Clare - Original Script]]

INT. LONDON EVENT SPACE - DAY - CONTINUOUS Amy is frustrated by the PROTESTOR'S INTERRUPTION -- but she knows how to handle this. Better to put on a calm, unflappable demeanor for all the potential INVESTORS. She looks away from the protestor. PROTESTOR Kindar is a place filled with human rights violations, left and right -- Amy just continues speaking, partially drowning out the PROTESTOR. AMY TENNANT We’ve been incredibly lucky this last year at the Complex, hosting scientific teams from 30 different countries, including Kindar. Teams equally committed to bringing hope and peace and new technology -- PROTESTOR Kindar is KILLING people, and they are willing to kill any of us! A SECURITY OFFICER steps in -- SECURITY OFFICER Sir - PROTESTOR You should know who you're in bed with, Dr. Tennant! As SECURITY wrestles the wild PROTESTOR out the DOOR -- PROTESTOR They're going to kill you!!! All of you! Are you willing to risk your family? Your loved ones? Your own life?? SECURITY gets the Protestor out the door, still yelling about death and murder, seeming crazy -- and Amy takes a deep breath. She regroups, trying to save the moment. AMY TENNANT Well it seems that you simply can't please everyone, can you? NERVOUS LAUGHTER from the crowd of investors. The HORRIFYING SOUND of a BLOOD-CURDLING SCREAM prelaps -- [[Vauxhall - Meet Clare - Original Script]]

Amy wants to get to Everley, but the snapping wires are too * unpredictable and dangerous. * AMY TENNANT * (to Rhys) * Hurry up! We don't have much time! * (to Everley) * Hang in there, Everley! I'm coming! * Everley's movements are slowing, she's losing life. Amy is * tense, ready to move at a moment's notice ... * The lights flicker as we hear Rhys flipping breakers. * RHYS WAKEFIELD (O.S.) * I'm in the box! Just need to find * the right one ... * More systems flicking on and off and, finally the wires stop * sparking and go dead. They hang limply as Amy quickly pushes * past them and kneels down by Everley's side. * Amy applies pressure. * AMY TENNANT * (to Everley) * I'm here. I'm here. Don't die on * me. * (calling out to Rhys) * I need the first aid kit! * Everley SHIVERS once and EXHALES, going still. She's dead. * Amy stares down at her, devastated. * AMY TENNANT (CONT’D) * (whispering to self) * I'm so sorry ... I'm- * Amy closes her eyes. Holy shit. * Amy opens her eyes again and now that the emergency is over, * she is able to focus on the GAPING CRACK and HOLE in her own * helmet. Useless. * Rhys arrives with the first aid kit. Amy still has her back * to him. * AMY TENNANT (CONT’D) * It's too late. She's dead. * Amy reaches up and takes her helmet off. * RHYS WAKEFIELD * What are you doing? * She turns the HELMET around, and he sees the HOLE. Right. * RHYS races to one of the SUPPLY CUPBOARDS -- flings it open. * But it too is DESTROYED. STRIPS of FABRIC hang. * RHYS WAKEFIELD (CONT’D) * The back up suits are fucked. * Amy drops her HAZMAT HELMET. Beginning to panic. * AMY TENNANT * Work the problem. Keep going. * Survive. * Like a prayer... * The PRESSURE GAUGE inside CLARE’S TUBE remains unchanged. * AMY TENNANT (CONT’D) * Pressure’s holding. Are you * bleeding? Need to check the * systems. Need to call Natalie. * Amy looks at the FLOOR, all SOOT and RED. * AMY TENNANT (CONT’D) * (high-speed) * Where is Kensington? What if Clare * dies and we miss another terror * attack? I should have gone -- you * have to help me move them, cover * them ... * RHYS WAKEFIELD * Amy! Get a hold of yourself! I need * your head in the game, okay? * He grabs her by the shoulders, re-assuring, calming. Amy * takes a deep breath, nods to Rhys. * AMY TENNANT * I-I'm okay. I ... * RHYS WAKEFIELD * What should we do? * *** NARRATIVE CHOICE HERE *** [[Check the Air Systems - Original Script]] or [[Check Explosion Pieces - Scene 105B]] [[Call for Help - Scene 105 C]]

AMY TENNANT (CONT’D) She shouldn't have cut us off like that. Okay. Go ahead. RHYS pulls up SECURITY FOOTAGE, and stumbles across KENSINGTON’S OFFICE. ON SCREEN, in SECURITY FOOTAGE: Kensington sits at her desk, staring at her COMPUTER SCREEN: Lab lines disconnected. Kensington stands, out of FRAME. We hear her POURING HERSELF a DRINK. She’s SHAKING. Straight up terrified. The SOUND of a DOOR OPENING -- EMILY HARRINGTON comes in. We see a SECURITY TEAM just outside in the hallway. EMILY HARRINGTON (ON SCREEN) People are starting to phone us. The entire building’s had a blip in lighting -- there are questions. NATALIE KENSINGTON (ON SCREEN) Have the security idiots outside announce a security upgrade gone awry. A minor thing, nothing to worry about. EMILY HARRINGTON (ON SCREEN) And Parker Caplani’s rung again. That makes seven calls. (carefully) Is there any reason someone outside the lab could have done something? Or -- someone inside? A grudge? Kensington knocks back her BOURBON effortlessly. NATALIE KENSINGTON (ON SCREEN) We have to keep them calm if we have any hope of sorting this. EMILY HARRINGTON (ON SCREEN) If this is sabotage, they’ll know you’re onto them. NATALIE KENSINGTON (ON SCREEN) They’ve a little under two hours of air left. I don’t think their awareness is our top priority. (and then) Announce the security upgrade. RHYS WAKEFIELD Well, fuck. AMY TENNANT Sabotage? Is she talking about us? There’s a RINGING in the LAB. Rhys PAUSES the VIDEO. COMPUTER VOICE Incoming call. AMY TENNANT It's them. They don't need to know we were listening in. RHYS WAKEFIELD Agreed. Rhys quickly logs out of the security footage and goes to Clare’s TUBE. He moves his shoulder, stiff and painful. Clare’s UNCONSCIOUS, her BONES still morphing. Then, as though picking up a conversation -- Go to [[GIVE HER MORPHINE?]]

AMY TENNANT Don't do it. We should be figuring a way out of here instead of spying. Rhys nods, gets up, walks over to the tube with Clare in it. [[GIVE HER MORPHINE?]]

RHYS WAKEFIELD That must be agonising. Shouldn't we, I don’t know, give her morphine or something? AMY TENNANT She's a terrorist. RHYS WAKEFIELD That doesn't mean we have to treat her heartlessly. COMPUTER VOICE Incoming call. RHYS WAKEFIELD So, ease her pain or not? CHOICE [[Give Clare Morphine 1 - Original Script]] A or [[Let Clare Suffer - Scene 110]]

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INT. Security lab alPHA - MAIN LAB - same time Amy shakes her head. AMY TENNANT No ... we can get you tubed. My research is here. I can come up with a way to reverse this. RHYS WAKEFIELD Come on, Amy. We don't have time. You know this! AMY TENNANT I won't let you die. RHYS WAKEFIELD It's not just me you have to worry about, Amy! Please! AMY TENNANT No, Rhys. I can't- There's an EXPLOSION from the main doors - the mercenaries have broken through! Amy HANGS ON to a TABLE BOLTED TO THE GROUND, BLOWING ALL REMAINING AIR OUT OF HER LUNGS to keep them from exploding. The AIR RUSHES PAST AMY -- her SALIVA BEGINNING TO BOIL in the VACUUM NOW LEFT BEHIND. She FIGHTS TO STAY CONSCIOUS -- but FAILS. Flare to white. INT. hospital room - DAY Amy is lying in a hospital bed, wrapped in bandages, IV tubes plugged into her arm. Her eyes are haunted as she stares at the television hanging on the wall. She watches footage as London PANICS and BURNS -- The SCREAMS. Lights. More fires. LIGHTS going on everywhere -- a long line of CARS trying to escape the city. News presenter (on tv) Police and the ECDC tell us they are unsure of the toxin’s origin, but a mandatory evacuation of the surrounding areas has been issued. (and then) We will bring more information as we have it, but this appears to be a massive bioweapon event. The Prime Minister will be on hand shortly to answer questions. (and then) Please, remain in your homes. Please, do try to remain calm. (and then) We’re getting word that this may be connected to the woman who attempted an attack on Vauxhall yesterday morning ... Amy cries, a silent tear falling down her cheek. She's helpless. She's responsible. NATALIE KENSINGTON (on phone) He was right ... The safety of London was paramount. We hear a BOMB SIREN going off, the terrifying WAIL hovering over a city dying. Amy cries. The decision was made. There's no turning back... Smash to black.

49 INT. Security lab AlPHA - MAIN LAB - same time AMY TENNANT Rhys- RHYS WAKEFIELD No. There's no time. We can't let this get out. The safety of London is paramount. My safety? Not so much. (beat) Please. Amy knows she has to do it. Tears forming in her eyes, she grabs the matches. Rhys hits the touch screen. The doors slide open. Amy gives him the matches. Their hands stay connected. Rhys hits the pad again and the doors begin to close again. Amy waits until the last possible moment to let him go. The doors seal. RHYS WAKEFIELD (CONT'D) That's my girl. PARKER CAPLANI (ON SCREEN) Three seconds... There’s a MOMENT where everything seems suspended. Free. Where everyone is alive and here and now... Rhys ignites the BOOK OF MATCHES and drops them -- And they fall to the POOL of FLAMMABLE CHEMICALS SPREADING ACROSS THE FLOOR... Rhys closes his eyes -- FLASHPOP: AMY IN A LAB. SMILING. LAUGHING. The sound of RHYS’ BREATH. Oh, God... [[EXPLOSIONS - Original Script]]